The bronze Cat at The Met (56.16.1, Ptolemaic Period, 332–30 BCE) is not a statue: it is a coffin for a cat mummy, a gift to the gods. KITTY builds the world around the object: the embalmer who made it, and the moment before the cat became sacred. It imagines that cat alive, in an embalmer's workshop, on a table shared with two more objects from the collection: a set of limestone canopic jars guarded by the four Sons of Horus (28.3.57a, b) and Duamutef, the jackal headed funerary figure (12.182.37a). Thirty nine seconds, four takes, graded like a 1940s three strip Technicolor print.