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The Bad Bunny halftime show was such good inspo for this. The staging and energy came through really well in the edit!
Thank you so much 😭✨
Thank you✨✨
Perfect!
Thank you ✨✨✨
This is such a creative take 🔥 Turning Super Bowl Halftime energy into an AI challenge concept is genius. And the POV of performing with Bad Bunny? That’s main character energy right there 👏
I’m glad you love it✨
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🎙️ I just built an AI Podcast Video Workflow on @Morphic
that turns ONE image into a full cinematic podcast video automatically.
Here's what it does:
✅ Generates your podcast scene
✅ Creates cinematic B-roll cutaways
✅ Lip-syncs your character to your voice
✅ Alternates camera angles automatically
✅ Adds background music & sound effects
No camera. No studio. No editing skills.
Just one image. One script. One click. 🚀
#MorphicWorkflowChallenge @Morphic
Nice!
Title: Veloré — A Cinematic Chocolate Experience
Description:
From four images to a complete luxury chocolate ad.
Each visual was transformed into motion, then brought together into a single cinematic story.
Built entirely in Fuser using AI and the Compositor.
A simple idea, turned into a premium experience.
This right here is nice!!
My Submission for the morphic workflows.
THE COVER (as i designed it) Turn any product into a living magazine cover. One workflow. Three categories. Built on Morphic.
Editorial imagery used to mean a $15K shoot, a 3-week timeline, and a team of ten. Most brands never get it.
So I built THE COVER. a reusable Morphic workflow that treats any product as a magazine cover hero. Two inputs (your product + a brand reference). Three deliverables (editorial still → magazine cover → 4-second living cover video). Under 5 minutes per run. Very Practical.
To prove it actually works across categories, I ran the same workflow on three completely different products:
→ EDEN (Beauty): Kayali Eden Sweet Peach. Tropical floral fantasy.
→ VACANZA (Fashion): A yellow rattan bag. Italian summer editorial.
→ TERRA (Food): An olive oil carafe. Quiet Kinfolk-coded still life.
Same workflow. Three completely different aesthetic universes. That was the goal proving editorial luxury isn't reserved for fashion. Any product can be magazine-worthy if the workflow knows how to read the brand reference correctly.
The motion stage uses Kling O3 Pro for living-cover animation. Typography is composited cleanly so the masthead never warps mid-clip that's the trick.
Run THE COVER. yourself: The Cover Workflow Here
Built by Saks Visuals.
#morphicworkflows
morphicworkflowsaiworkflowdesignaivideocreationAI VIsual DesignerAI Video ProductionPrompt EngineeringCapCutMorphic
this is really amazing
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