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SIX SKIES explores what happens when details from museum objects are no longer confined to the scale in which we usually encounter them.
I selected six Open Access works from The Met, each carrying a distinct ornamental language from a different culture, and reimagined their patterns at architectural scale.
Instead of remaining on a ceramic object, stained-glass window, tile, jar, or dish, each ornament temporarily takes over the same ceiling inside The Met.
I imagined the ceiling as a projection or holographic installation: one architectural space capable of revealing different histories through light, pattern, and scale.
Armenian — Egg-Shaped Ornament
https://www.metmuseum.org/art/collection/search/478391
American — John La Farge, Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York
https://www.metmuseum.org/art/collection/search/9789
Syrian — Tile Panel, ca. 1430, Damascus
https://www.metmuseum.org/art/collection/search/457726
Iranian — Eight-Pointed Star-Shaped Tile
https://www.metmuseum.org/art/collection/search/444459
Korean — Dragon Jar, Joseon dynasty
https://www.metmuseum.org/art/collection/search/76114
Japanese — Dish in Shape of Japanese Court Woman
https://www.metmuseum.org/art/collection/search/46509
THE ANIMAL THAT KNEW
What if the prey remembers every moment that came before the attack?
Inspired by Antoine-Louis Barye’s Tiger Surprising an Antelope from The Metropolitan Museum of Art, I reimagined the sculpture as a meditation on memory and instinct. The tiger exists in one moment, while faint photographic traces of the antelope appear behind it, suggesting the memories of the moments that came before.
I kept the original sculpture physically intact and changed its meaning through time: the bronze becomes a record of what the prey remembers.
Built and explored in FLORA.
Original artwork: https://www.metmuseum.org/art/collection/search/207338
@FLORA #FLORAMuseum
Brilliant Concept. I love this