This is my submission for the FLORA Technique Challenge š
This technique allows you to create cinematic coverage of a two-shot interrogation, multi-angle scene with only one reference image.
Also, it doesn't necessarily need to be an interrogation scene; this technique also works in another context that involves a two-shot situation, like two people talking at a restaurant or on a bench on the street. Possibilities are endless!
How the workflow works: when the user uploads the input, it reads it and creates 9 different angles from the scene, starting with a two-shot scene.
All in one click ā repeatable and shareable.
Built for: AI Filmmakers, storyboard artists, and editors.
The Visual Aesthetic: Think Wong Kar-wai's Chungking Express mixed with Blade Runner 2049. Light sourcesāstreet lamps, neon signs, headlights, and glowing storefrontsāleave soft, directional light streaks across the dark backdrop as the camera moves.
I started with five separate night-time clips and used invideo Editor's AI editing agent to transform them into one connected cinematic sequence. I wanted the bright practical lights in each shot to feel like they had a physical presence in the scene, leaving atmospheric trails as the camera and subjects moved.
The agent generated two versions of the effect, including an editable directional streak-and-glow approximation. I chose the editable version and set the source footage to 720p before generating the effect.
After seeing the initial result, I prompted the agent to make further changes, refining the highlight response, glow, intensity, and direction of the trails. I wanted the effect to feel less like a generic digital filter and more like photographic light persistence.
The final sequence gradually builds from subtle streaks into a stronger visual climax around the passing car and running shots, while keeping the original footage visible underneath.
Built and refined in invideo Editor using its AI editing agents.