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"We think we're leaving. We're always heading home."
The dust behind a motorcycle on a dirt road is the same dust that drifts across Mars and maybe the same dust we're all made of.
I've never edited a video in my life. I build software for a living. But I found Renoise, saw this challenge, and as someone who can't resist one, I treated it the only way I knew how: as a problem to solve, shot by shot. 17 scenes, one storyboard, a lot of trial and error from a cornfield on Earth to the red plains of Mars.
I didn't know how to make a film. So I just kept asking: what does this feel like? And chased that frame by frame.
🔊 Sound on, and stay until the end it goes somewhere you won't expect. Check the comments for the BTS and the workflow :)
For anyone curious how this trailer was made from scratch, I recorded a full walkthrough of the process 🎬
I show everything: from generating the scenes in Renoise Canvas, through the models and options, all the way to the final edit in DaVinci Resolve. And yeah I had zero...
Arrasoooooou
Obrigado ❤️
Top
Perfeito
Awesome!!
Preciso admitir que no meu nível de inglês, tô com dificuldade de entender acelerado em 2x.
Esse é o vídeo original na velocidade normal, precisei acelerar porque só fui ver que tinha limite de tempo depois do vídeo finalizado 😢😢
Impressionante 👏🏻
Top!! 👏
Obrigado
Mto Bom!
Obrigado
Amazing🤩
Thanks
Very good!
That’s amazing
Thanks ❤️
Amazing!!!
Thanks
Perfeito
Obrigado
Good job!!!
Thanks
Awesome
Thanks
Wow!!
Arrasou
Obrigado
Muito bom!!
Sucesso 🚀
Obrigado 🚀
Bem legal heim!
Vlw man
Muito bom!!
Obrigado
Woooowww
Obrigado
The best!
Thanks bro
Wowww. 🫨👏👏
Great job, bro!
Thanks
Arraso
Thanks bro
perfeito
uauuuu
The network for creativity
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Connect with clients, get discovered, and run your business 100% commission-free
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Related posts
look what i made, a video of a lady walking down a quiet Korean neighborhood, being filmed with a DV Camcorder. early 2000s feeling
best part is that it looked so real, and i made it in Renoise
this is my entry to the challenge,
👁️🗨️ FRAME 24 — Breaking the Fourth Wall of AI 👁️🗨️
Most AI films try to hide digital artifacts. FRAME 24 makes them the plot.
A man living in a pristine, golden-hour reality touches a window, only to watch a digital glitch spread across the glass. 🪟⚡ As his world fragments, he discovers the terrifying truth: he is an AI generation. In a stunning climax, he rips through the digital canvas into a white void, rewriting his own prompt to escape into a muddy, rainy, imperfect reality.
⚙️ How it was built: • Renoise Canvas: Used to map the emotional and color arc across 8 distinct scenes. • FacePass: Crucial for locking in the protagonist's identity during extreme emotional shifts (confusion ➡️ horror ➡️ rebellion). • Multi-Model Approach: Used Seedance 2.0 for the cinematic 'AI world', transitioning abruptly to Kling 3.0 for the raw 'real world'. 🌍
This is what happens when a generation fights back. 💥
Amazing Story Line
I made The Last Greenhouse, a 22-second cinematic sci-fi short about an abandoned orbital station that appears to be running a rescue mission. The twist is that the astronaut was never human: the station AI projected a caretaker body to save the last living tree.
Built in Renoise with a three-clip Canvas workflow using Renoise/Seedance 2.0, recurring EVA suit and seed-pod references, and stitched as one short film with the Renoise watermark visible throughout.
#RenoiseChallenge
X: https://x.com/GogsNova/status/2071011670713856090?s=20
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