Cover image for UNCLAIMED: the haunted delivery every

UNCLAIMED: the haunted delivery every product drop deserves A product launch gets about two seconds in someone’s feed. Most of the work goes into the product, and the ad ends up as a still image with a price on it. UNCLAIMED is built for those two seconds. A crate is dragged onto a dark station platform by a chain and thrown into a pool of light. It cracks open, the product rises on a beam, and the whole thing ends on a clean brand card. It runs 15 seconds and loops. I built it as one SVGator template, then dropped in three brands to show that it adapts without breaking: ⌚ AURA, a watch 🎧 SONARE ONE, headphones 🕯️ NOCTIS NO. 7, a perfume The animation is the same every time. To make it yours, retype the text, swap one product image and swap the logo. Every layer is named, so you never touch a keyframe. A new brand takes minutes. If you launch products, this one’s for you. What should the crate deliver next? 🛠️ Built in SVGator with the MCP, staged in Blender. 60 named layers, 386 keyframes. Template: https://app.svgator.com/editor#/226519268acf4b9b9ed5dc96bd6db1ba @SVGatorApp #svgatorchallenge

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WHIP: the hyper-motion ad every product drop deserves A product launch gets about two seconds in someone’s feed. Most of the work goes into the product, and the ad ends up as a still image with a price on it. WHIP is built for those two seconds. The headline slams in, the shoe whips across the screen, stat tiles snap into a grid, callouts point at the details, and the whole thing ends on a clean brand card. It’s four scenes, loops in 15 seconds, and holds the same energy from start to finish. I built it as one SVGator template, then dropped in three brands to show that it adapts without breaking: 👟 VOLTA, a cream court sneaker 🔥 KILN, a black and ember hi-top 🥾 HARROW, a full-grain leather Chelsea boot The animation is the same every time. To make it yours, retype the text, swap one product image and change four colours. Every layer is named, the motion sits on wrapper groups, and you never touch a keyframe. A new brand takes under a minute. All artwork was made for this template, the brands are fictional and the fonts are open source (Anton and Archivo), so it’s free to give away. If you launch products, this one’s for you. What should WHIP sell next? 👇 Template: https://app.svgator.com/editor#/d10eaa341c0b4fcbbcde1d5d8f5f18a3 @SVGatorApp #svgatorchallenge

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Cover image for Studio Agulha — From Voice

Studio Agulha — From Voice Note to Confirmed Tattoo Booking What if a tattoo artist could receive a voice note in English, Portuguese, Spanish, or French and have it turned into a confirmed booking — without touching her phone? That’s what I built with Studio Agulha, designed for Mara Costa, a solo tattoo artist in Alfama, Lisbon. While Mara is working gloved and sterile, clients can send voice notes describing what they want. The app handles the rest: 🎙️ Voice note → transcription + translation 🧠 Extracts the design, style, size, placement, colour & travel dates 💬 Asks only for the information that's missing 💰 Calculates the price 📅 Shows only appointment times that fit the client's trip ✈️ Avoids booking too close to their flight day 🔒 Holds the appointment slot 💳 Collects a 30% deposit 🔔 Handles reminders, unpaid deposits, expired holds & waitlist openings automatically Mara only needs to step in when a piece is large or unclear — and can approve it with one tap. The result Stencil. Linework. Inked. A booking workflow that keeps working while the artist keeps working. Try the demo 👉 https://studio-agulha.lovable.app/ Client side: Book → tap a sample voice note Artist side: For Mara → Demo: enter as Mara Built with ⚡ Lovable + Lovable Cloud 🎙️ ElevenLabs Built entirely in Lovable.

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🏔️ Someone you love is dying. There's a cure on a mountain hundreds of miles away. You don't know which herb it is. So you carry the entire mountain back. That's not a metaphor. That's the Ramayana. 🙏 SANJEEVANI: THE NIGHT DEVOTION MOVED MOUNTAINS — my submission for the FLORA Museum Challenge. I started with "Hanuman Bearing the Mountaintop with Medicinal Herbs" (ca. 1800, Rajasthan) — a massive devotional painting from The Metropolitan Museum of Art's Open Access archive. It captures Hanuman's most famous act: flying across India carrying Mount Dronagiri to save the dying Lakshmana. The Met's painting freezes this story in one frame. I unfolded it into five. 🩸 THE WOUND — On the battlefield of Lanka, Lakshmana falls. Rama kneels beside his brother. The physician says only the Sanjeevani herb from the Himalayas can save him — and it must arrive before sunrise. 🚀 THE LEAP — Hanuman steps forward. He grows to colossal size and launches into the night sky with a force that parts the ocean. The earth cracks beneath him. 🌿 THE MOUNTAIN — He lands on Dronagiri. Thousands of herbs glow with bioluminescent light in the moonlit darkness — teals, blues, golds, greens. He cannot identify the Sanjeevani among them. Time is running out. Dawn creeps onto the horizon. And then — the decision that echoed through millennia. ☄️ THE FLIGHT BACK — Hanuman carries the entire mountain on his palm, flying across the Indian night sky. Luminous herbs fall from the peak and trail behind him like a bioluminescent comet tail — a river of healing light streaming through the stars. The Ramayana says herbs fell along his flight path, and where they landed, medicinal plants still grow today. 🌅 THE HEALING — Dawn breaks. The mountain sits glowing on the battlefield. Lakshmana breathes again. Rama embraces his brother. And Hanuman stands apart, head bowed, hands folded in prayer. He does not celebrate. His work was service, not spectacle. Each panel was built on FLORA and animated into a cinematic sequence — from the darkest night to the most golden dawn. The Rajasthani painters captured this story in one frame 200 years ago. I needed five — because some acts of devotion deserve to be witnessed in motion. "Where in all the three worlds will I find another brother like Lakshmana?" — Lord Rama Original artwork: Hanuman Bearing the Mountaintop with Medicinal Herbs, ca. 1800 Ink and opaque watercolor on cloth | India (Rajasthan) The Metropolitan Museum of Art The Met: https://www.metmuseum.org/art/collection/search/37960 (https://www.metmuseum.org/art/collection/search/37960)FLORA project: https://app.flora.ai/view/js70xqqq2qgjcmc2ampg9nw3w58e19vp Built with @floraai #FLORAMuseum #FLORA #TheMet #Hanuman #Ramayana #Sanjeevani #IndianArt #SanatanDharma #AIArt #DigitalArt

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Abhinav Awasthi

Building AI-driven UI/UX, code, and design solution