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Taste Test
This UX is preferred nowadays and user felt easy to interact with it. ⭐
For me it definitely felt better and improved the experience.
New one feels a lot tighter and easier to scan. I'd maybe bring back the small portrait/landscape labels from the old version though, they help at a glance.
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Related posts
Which color direction feels right for this digital payment app?
While designing a full digital payment app experience, from bills overview to payment confirmation, I explored two different color systems for the entire flow. Same screens, same functionality, just a different accent palette and personality.
Option 1 - Neon Green. Bold, high-energy, and gives a sharp, fintech-forward feel throughout the journey.
Option 2 - Cyan/Blue. Cool, modern, and leans more premium and trustworthy across the whole app.
Would love your honest UX/UI take, which direction feels more trustworthy, engaging, and appropriate for a digital payment app, and why? 👇
3 voted
38%
5 voted
62%
8 votes
Closed
Cyan/Blue
Day 12/30 of my hero section challenge.
Another day of prioritising the visuals and imagining a company that doesn't exist. I promise the next one is a tech brief with barely any imagery at all, I've leaned hard on beautiful photography for twelve days straight.
Concept: a mycelium materials company producing leather, packaging and foam grown from fungal networks. The design deliberately inverts the category's defaults; biotech branding tends toward dark, clinical and electric blue, so this one goes warm and botanical, with a subtle looping video of spores drifting and mushrooms emerging. The copy pulls hard the other way: plain, technical, B2B-direct, anchored by two concrete numbers instead of sustainability adjectives.
Twelve briefs across travel, food retail, personal branding, events, landscape architecture, pet services, hospitality, coffee, lighting, wellness, restaurants and now biomaterials.
12 down, 18 to go.
Built on the Viper template by Westhill Studio, adapted and customised by me.
Imagery and video generated with AI.
brilliant
Designed the website for Dovora — an agency that builds businesses for creators, not brand deals. "We don't represent brands, we don't split focus" is basically the whole pitch, and I wanted the site to feel just as uncompromising.
So no polished stock creator-economy visuals. The hero is a wall of real streamer/podcast footage arranged in overlapping diamonds and rounded frames — actual creators, mid-stream, mid-laugh — with a glowing gradient orb behind bold "WE BUILD CREATOR BUSINESSES" type. It reads more like a highlight reel than a landing page, which felt right for an audience that lives on camera.
The second section flips the energy completely — dark, minimal, almost aggressive typography ("BUILT EXCLUSIVELY FOR CREATORS. FULL STOP.") paired with huge chrome-and-neon 3D letterforms spelling out CREATORS. It's loud in a completely different way than the hero, and that contrast is intentional — this isn't a buttoned-up agency deck, it's built for people who make content for a living.
Genuinely fun brief to lean all the way into.
