Creative Sizzle Reel for The Shepherds Studios

Creative Sizzle Reel for The Shepherds Studios - Expert ProductionCreative Sizzle Reel for The Shepherds Studios - Expert Production

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Scott Simon

pro

• May 6

The Shepherds Studios | Sizzle Reel End-to-end creative direction and production for The Shepherds Studios sizzle reel, shaping the edit, visual pacing, animation, color, soundtrack, sound design, mix, and final finish into a concise studio overview across film, gaming, merchandise, and digital media.

Creative Direction Animation Video Editing Midjourney DaVinci Resolve Adobe After Effects

R. Qule

max

• May 11

FX platforms don’t get a second chance at trust.

For Vortex FX, we designed a landing page concept built around a premium banking-card hero, strong hierarchy, and a minimal grid system that improves readability. The 3D animation adds depth and product presence while staying controlled and conversion-focused.

Built to feel modern, structured, and engineered — not flashy.

This was created with a design subscription from FANCY — and yes, we’re currently open to new projects.

UX Design Webflow Development UI Design Framer Adobe After Effects Figma

Bharat Dhimmar

pro

• May 11

Awesome 🔥

Artku .

• May 11

I contributed to the creation of this mockup for Spline. Fully interactive 3D iPhone 17 Pro with complete customization: animate any element, try different angles, change colors and materials, and add your own content — all running smoothly directly in the browser. An incredibly convenient and stunning tool!

Check it out

Spline Adobe After Effects Figma

Bogdan Krivenchenko

pro

• May 11

Love it! 😍

Aavirash Mitra

• May 11

Cavalry is free — and I honestly can’t overstate how wild that is for motion design.

I built this piece as a self‑initiated project to learn Cavalry and push what’s possible with procedural animation – from generative motion systems to layouts that react intelligently to data and structure.

If you’re exploring new motion tools or building products that need motion to feel alive, this is the kind of direction I’m excited about: system‑driven, adaptable animation instead of one‑off keyframes.