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New work shot on location at Me Cabo Hotel in San Lucas for designer Carlos Peñeda at Los Cabos Fashion Week spring collection 2026.
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Light mode or dark mode, which do you actually use?
I designed both variants for the MESHKLOUD architect dashboard, and I genuinely cannot pick a favourite. Light mode reads cleaner against the technical drawings, the blueprint lines breathe better, feels more like working at a real desk. Dark mode though pulls the whole interface together differently.
The interesting challenge with this one was that the main content is always a black and white architectural drawing. So the surrounding UI has to complement it without competing. Light mode steps back and lets the drawing do everything. Dark mode wraps it, makes the tool feel like a product you want to sit inside.
What do you default to
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Dark mode
Logo Design & Branding for RAVENOR ©2026
RAVENOR designs and manufactures precision-built tools and modular hardware for controlled, high-demand environments. The brand exists for professionals whose work depends on accuracy, consistency, and long-term durability.
The identity reflects that discipline. A bold abstract mark subtly forms the letter R, built with structure and intention. The grotesk wordmark adds clarity and industrial character, while a palette of deep near-black neutrals and dark industrial tones replaces loud industry colors with something more grounded and confident.
The result is a brand that feels strong without trying too hard controlled, professional, and built to hold its ground wherever precision matters most.
Open for logo design and branding projects. Send a dm or email to ✪ info@donatus.agency
logodesignerbranddesignerVisual DesignAdobe IllustratorAdobe PhotoshopBrand StrategyLogo Designbranding
Nice 👍
I’ve been interested in bringing more analog elements into my design process—not only to add more visual interest, but also to help me step away from my computer screen, which can feel draining at times.
With that idea in mind, I started scanning and collecting all the little bits and pieces I’ve gathered over the past few years—from magazines to metro and museum tickets.
It’s been fun to revisit those moments and to take little breaks from my desk to walk over to the scanner while I’m designing.
Here are a few examples from that exercise! 🙂
The metro and museum tickets are a nice touch. There's something about ephemera like that which carries a texture and context that stock imagery never can. How are you compositing them in Photoshop, scanning flat or photographing?
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