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Taking Travel to the Extreme ✈️🎟️
What started as a travel idea turned into a pretty wild ride.
For the CapCut World LA challenge, I wanted to create something a little crazy, a little cool, and a little funny — taking an ordinary ticket and turning it into an adventure that goes completely off the rails.
From freefalling through the sky to some unexpected encounters above Los Angeles, this was all about pushing my imagination and having fun with the possibilities of AI filmmaking, sound design, and editing.
Because sometimes, the journey is much more interesting when you have absolutely no idea where you're going. 😂
Created for the CapCut World LA creator challenge.
#CapCutWorld #CapCutWorldLA
really so funny..!! great work...
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Who needs an invitation when you have a little imagination and a lot of fantasy?
That's how I got to the CapCut World LA event at the Audrey Irmas Pavilion. The trip was... intense! 🦄
This is my entry for the new Contra × CapCut challenge.
My workflow:
① I created the character sheet and the prop sheet for the mushroom, as well as the location sheets for a nature landscape and the Audrey Irmas Pavilion.
② I created still shots using my internal AI image generation tool.
③ I created trippy 2D/3D animated images to use as the opening frames of the videos.
④ I imported all the images into the CapCut Video Studio and used the CapCut AI to animate them.
⑤ I created the music in ElevenLabs/ElevenMusic.
⑥ I edited the videos using DaVinci Resolve.
Stepping Through Art History to CapCut World LA 🎨✨ → 📍Audrey Irmas Pavilion
For the "Unexpected Arrival" theme, I wanted to blur the boundary between classic human artistry and next-gen AI filmmaking. Instead of a standard commute to Los Angeles, the journey pulls me directly through living, breathing masterpieces—from the swirling skies of Van Gogh’s The Starry Night and the crashing barrels of Hokusai’s The Great Wave, all the way to the iconic trapezoidal facade and barrel-vaulted ceiling of the Audrey Irmas Pavilion for CapCut World LA.
How I built it:
AI Generation & Continuity: Built as a connected 9-scene sequence using Seedance 2.5 inside CapCut, maintaining character consistency and fluid motion across completely distinct artistic styles and eras.
Editing & Polish in CapCut: Stitched and paced the transitions so each painting seamlessly morphs into the next dimension, combining keyframe camera momentum, color matching, and immersive sound design to make the final arrival in LA hit with maximum impact.
Why I built it:
Every era of art had its own medium—from oil on canvas and woodblock prints to digital timelines. AI and CapCut are the new canvas. I built this piece to celebrate how creative technology lets us step inside our wildest visual ideas and bring them to life in seconds.
Brilliant concept Pedro! 🎨 Stepping through Art History for an "Unexpected Arrival" is genius - blurring classic human artistry with next-gen AI filmmaking is such a powerful angle. Love the creative take on the journey to Audrey Irmas Pavilion instead of a standard commute. Can't wait to see the full piece!
From Pharaoh Cafe to Hollywood - My LA Dream!
This is the full 60s journey of Mazen in white galabiya - from getting lost in Giza desert, sucked into sand vortex, falling into Pharaoh Cafe where Anubis is waiter, his chair transforms into balloon and flies him to LA to dance with palm trees and DTLA skyline behind! All made in CapCut Video Studio, character locked, 6 scenes.
#capcutworldlachallenge #capcutworldla #egypttohollywood
