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A girl encounters a monster and is trying to escape. The cinematic realism is incredibly intense, created by Seedance 2.0.
Great work! Would love to know your opinion on my submission as well.. Good luck!
Hi,
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Halloween Hotel: a crooked Gothic hotel under a giant moon. Click the windows to catch 15 famous monsters mid-routine (Dracula shaving at a mirror with no reflection, the Mummy wrapping himself in toilet paper, the Grim Reaper working the front desk) and find them all before sunrise. Every set of three you finish plays a reward, and finding everyone finally lights up the NO VACANCY sign.
How it was built: I modeled and baked the hotel in Blender, and it runs as real-time 3D (140k triangles) inside Rive's GPU Canvas, with custom WGSL shaders for the sway, the shutters, the neon and the magic. Claude Code and the Rive CLI wrote the scene in RML and the logic in Luau, and checked their own work with --verify and headless screenshots. Data binding drives the guest cards, the tracker and the mobile layout, and state machines run the card, the welcome and the finale. After rive push, I refined it by hand in the Rive Editor.
Features used: Rive CLI + GPU Canvas, plus Scripting, Data Binding and State Machines.
Play it (best on desktop with sound on): https://halloween-hotel.vercel.app
I built an interactive Halloween horror website called “Nightmare House.”
I made it to create a scary, unpredictable experience where visitors can explore the site and trigger different jump scares, creepy sounds, animations, glitches, and horror effects by interacting with buttons.
My goal was to combine web design, animation, sound, and interactivity to make the website feel more like a small horror game than a normal webpage.
Nightmare House sounds like the right scope for Halloween web — unpredictable triggers (sound + glitch) matter more than one big scare.
A cinematic poster inspired by Leon Kennedy from Resident Evil 4 Remake, focusing on dramatic lighting, atmosphere, typography, and composition to capture the dark and intense tone of the game.
