I create cyanotypes using a traditional alternative photographic process, transforming images into tactile, blue-toned prints and then carefully digitizing them. Each piece is handmade, exposed, and processed by me, then professionally scanned to preserve texture, tonal depth, and materiality. The final result is a digital image that carries the physical qualities of an analog print—organic, imperfect, and visually rich—while remaining easy to use in digital or print contexts.