Most brand videos get skipped in the first two seconds. Mine are built to avoid that.
You have a product, a campaign, an announcement, and static images aren't carrying it. I turn that into motion people actually watch through: promos, ads, launch videos, animated logos, explainers, social cuts.
What you get: Animation designed around where it plays. A feed edit isn't a broadcast spot; it isn't a 20-meter LED screen. I build for the format instead of resizing and hoping. Storyboard or style frames before I animate, so you approve the direction before the expensive part starts. I handle sound design and editing in the same place. One person, one timeline, no chasing. Source files at the end; they're yours. I've made this kind of work for Cisco and other global brands at Mondeo Studio, and some of it has run on the LED screens in Times Square.
Most brand videos get skipped in the first two seconds. Mine are built to avoid that.
You have a product, a campaign, an announcement, and static images aren't carrying it. I turn that into motion people actually watch through: promos, ads, launch videos, animated logos, explainers, social cuts.
What you get: Animation designed around where it plays. A feed edit isn't a broadcast spot; it isn't a 20-meter LED screen. I build for the format instead of resizing and hoping. Storyboard or style frames before I animate, so you approve the direction before the expensive part starts. I handle sound design and editing in the same place. One person, one timeline, no chasing. Source files at the end; they're yours. I've made this kind of work for Cisco and other global brands at Mondeo Studio, and some of it has run on the LED screens in Times Square.