I edit narrative short films with a strong focus on story structure, performance, and pacing.
The goal is a clear dramatic arc and an emotionally grounded final cut.
This service is suited for directors preparing films for festivals, grants, or serious online releases.
What's included
Edited Short Film (Picture Lock)
Professionally edited short film created from the provided footage
Clear narrative structure, performance shaping, and pacing
Picture-locked cut ready for sound design and color grading
One master export in the agreed format
Post-Production Handoff Files
Clean offline edit export
XML or AAF for sound and color workflow
EDL if required
FAQs
Not necessarily. But clean bins, logs, or proxy files will help me deliver faster and better results.
Your raw footage (organized if possible), any script/structure/reference, and music/licenses (if pre-decided). You can send via Google Drive, Dropbox, WeTransfer, or Frame.io.
I prefer proxies for smoother workflow, especially for long projects. But I can work with high-resolution footage (up to 6K) if needed. Just make sure to provide a clear folder structure and media via Google Drive, Dropbox, or Frame.io.
I primarily use Adobe Premiere Pro for Editing and Da Vinci resolve for Color grading on a calibrated LGOLED C3
I edit narrative short films with a strong focus on story structure, performance, and pacing.
The goal is a clear dramatic arc and an emotionally grounded final cut.
This service is suited for directors preparing films for festivals, grants, or serious online releases.
What's included
Edited Short Film (Picture Lock)
Professionally edited short film created from the provided footage
Clear narrative structure, performance shaping, and pacing
Picture-locked cut ready for sound design and color grading
One master export in the agreed format
Post-Production Handoff Files
Clean offline edit export
XML or AAF for sound and color workflow
EDL if required
FAQs
Not necessarily. But clean bins, logs, or proxy files will help me deliver faster and better results.
Your raw footage (organized if possible), any script/structure/reference, and music/licenses (if pre-decided). You can send via Google Drive, Dropbox, WeTransfer, or Frame.io.
I prefer proxies for smoother workflow, especially for long projects. But I can work with high-resolution footage (up to 6K) if needed. Just make sure to provide a clear folder structure and media via Google Drive, Dropbox, or Frame.io.
I primarily use Adobe Premiere Pro for Editing and Da Vinci resolve for Color grading on a calibrated LGOLED C3