Then let me offer you a deal. You write your message to the world, and I’ll be by your side and make sure your story beams to them.
I am experienced in handling fictional stories, especially in the genres of fantasy and romance.
When I edit, I look at your story and try to decipher the essence of it. I don’t focus on being technically right. What really matters is that the narrative remains intact. That’s because your narrative is the star of the show.
In developmental edits, I focus on the following:
Concept - Is your idea interesting? How do you execute that nicely?
Plot - Does your plot naturally develop? Should it really be going this fast?
Character - Is your character interesting? Can you differentiate them from other characters?
World - Is the world alive? Does it seem like it was bustling before the story started?
In Editorial Assessments, I talk about the following:
Then let me offer you a deal. You write your message to the world, and I’ll be by your side and make sure your story beams to them.
I am experienced in handling fictional stories, especially in the genres of fantasy and romance.
When I edit, I look at your story and try to decipher the essence of it. I don’t focus on being technically right. What really matters is that the narrative remains intact. That’s because your narrative is the star of the show.
In developmental edits, I focus on the following:
Concept - Is your idea interesting? How do you execute that nicely?
Plot - Does your plot naturally develop? Should it really be going this fast?
Character - Is your character interesting? Can you differentiate them from other characters?
World - Is the world alive? Does it seem like it was bustling before the story started?
In Editorial Assessments, I talk about the following: