I work as a narrative film editor for fiction and documentary projects.
My focus is on story structure, performance shaping, and pacing.
The edit is built to serve the film, not the software or trends.
I work closely with the director to find clarity in the material, refine the dramatic arc, and arrive at a strong picture lock suitable for festivals, grants, or further post-production.
This service is best for directors who value story, restraint, and a disciplined editorial process.
Projects are taken on selectively to maintain focus and consistency.
FAQs
No. I can work from unorganized footage.
Logs, notes, or proxies help speed up the process.
Up to two structured revision rounds are included.
Further changes are discussed based on scope.
No. This service focuses on picture edit only.
I deliver files ready for sound and color workflows.
Footage, script or outline, and a brief on intent and references.
Yes. The edit is prepared with festival and professional delivery standards in mind.
I work as a narrative film editor for fiction and documentary projects.
My focus is on story structure, performance shaping, and pacing.
The edit is built to serve the film, not the software or trends.
I work closely with the director to find clarity in the material, refine the dramatic arc, and arrive at a strong picture lock suitable for festivals, grants, or further post-production.
This service is best for directors who value story, restraint, and a disciplined editorial process.
Projects are taken on selectively to maintain focus and consistency.
FAQs
No. I can work from unorganized footage.
Logs, notes, or proxies help speed up the process.
Up to two structured revision rounds are included.
Further changes are discussed based on scope.
No. This service focuses on picture edit only.
I deliver files ready for sound and color workflows.
Footage, script or outline, and a brief on intent and references.
Yes. The edit is prepared with festival and professional delivery standards in mind.