I’ve been building Tedi, a small terminal-based text editor written in Node.js and TypeScript.
It started as a side project to understand how editors handle raw terminal input, rendering, and file writing.
The goal is to keep the codebase simple, readable, and easy to extend . A place to learn from and experiment with.
It started as a way to understand how editors handle raw input, rendering, and file writing. Tedi uses a simple architecture and state management to keep the code easy to follow and extend. Right now it supports editing, search, undo/ redo, and saving files. It has a simple foundation that I plan to keep improving and expanding with new features.
I’d really appreciate any feedback or reviews, especially from developers experienced with Node.js, terminal applications, or text editors.
If you notice design issues, performance concerns, or architectural improvements, I’d love to hear them.
Contributions are welcome too if you’d like to help refine it or add new features.
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Working on the custom booth and visual direction for Maa Althahab was all about translating the brand's premium feel into a physical space clean lines, gold accents, and that sense of purity the brand is built on. I kicked things off in AutoCAD to nail down the technical layouts and blueprints, making sure every measurement, sightline, and visitor flow was spot-on before anything moved to production. From there, I moved over to Blender to build out the full 3D model and realistic previews. Playing with the lighting, materials, and product placement let me give the team a super clear picture of how the booth would actually feel in person from the illuminated brand wall to the way the signature gold reads under warm exhibition lighting. The final previews made sign-off fast: no surprises, no back-and-forth on "what will it look like" everyone saw the space before a single panel was cut.
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Typography is where logic meets art. This project is a collection of Arabic type explorations, where I pushed the boundaries of letterforms to create distinct visual identities. Each experiment oscillates between geometric structure and fluid expression, aiming to redefine how we perceive Arabic scripts.
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