Freelancers using Kling AI in Skopje

Freelancers using Kling AI in SkopjeFreelancers using Kling AI in Skopje

Projects People

Filip Panov

maxSkopje, North Macedonia

I make founder brands premium, trusted & story-led

$10k+: Earned

12x: Hired

5.0: Rating

547: Followers

expert

Expert

I make founder brands premium, trusted & story-led

Cover image for Lately I've recognized this direction

Lately I've recognized this direction on the rise and been inspired to create a collection of 18 images blending the Classical Art - Renaissance oil painting mastery with digital pixel/ASCII aesthetics, Classcii. It is a mix of centuries, a modernized and futuristic direction of the classic. Each image is crafted around a specific tension, the classical figure or scene rendered in full oil mastery, while the digital/ASCII layer intrudes at a specific point. Using the @Contra Labs ecosystem to choose the most adequate Ai models from the Creative Arena Leaderboard, I wanted to briefly share my personal taste and evaluation on the outputs these models generated, based on the benhchmark methodology. For the imagery references I used Seedream 5 Lite and Google Nano Banana 2, whereas for the Image to Video I used Kling 3.0 and Veo 3.1 Fast. In terms of Visual quality & aesthetics overall I would rank them fairly simillar with Seedream having a slight edge on the composition, specfically achieving more symmetrical outcomes featuring center alignment and a better use of whitespace, opposed to Nano Banana 2 where the use of rule of thirds is more prominent, making it visually in comparison less balanced. Considering the Prompt adherence & accuracy, I find both models very much aligned, having Nano Banana 2 more intensified use of asscii / pixels across all outcomes, which according to my minimal taste I would rank this a weakness rather than a strong side. Finally, in terms of Motion Realism I would unanimously rank Kling 3.0 as the better option here, considering the fluidness and physics consistency among majority of the elements in the reference. Additional advantage will be the ability to perform better at no prompt insertion compared to Veo 3.1 fast. You can download the collection here. (https://www.patreon.com/posts/classcii-imagery-155250591)

2.9K

The Baller Fund | Brand Identity The Baller Foundation is in the youth sports philanthropy sector. They provide scholarships, grants, and training resources to young athletes who demonstrate talent, drive, and commitment, but lack the financial means to participate in competitive club sports programs. I helped them develop an inspiring & empowered identity which reflects their brand personality and values. As an outcome, I'm creating their path to establishing trust, building confidence be percieved prestigous. See full project here (https://contra.com/p/sQ7rvQZQ-the-baller-fund-or-brand-identity?r=filip_panov_4bzzswaq)

100

2.2K

The Baller Fund | Brand Identity

201

Brand Identity Design for RFNE

116

Kling AI(3)

Danche Cekova

Skopje, North Macedonia

AI Ad Specialist | Scroll-Stopping Ads for Brands

New to Contra

AI Ad Specialist | Scroll-Stopping Ads for Brands

Quick AI ad concept I made for Ray-Ban. Was going for a luxury, summer vibe with a strong product focus and soft cinematic feel. Mostly done in Kling, with some post-editing. Not affiliated with Ray-Ban, just a personal project to test ideas and improve my skills.

Quick AI ad concept I made for MAC. Was experimenting with a more minimal, cinematic style and focusing on mood + pacing rather than heavy edits. Used Kling for most of this, with some extra tweaks in post. Not affiliated with MAC, this was just a personal project to test ideas and improve my workflow.

Cover image for AI-generated fashion concept ad exploring

AI-generated fashion concept ad exploring a more cinematic, minimal style. Focused on atmosphere, lighting, and clean visuals to give it a premium feel. Not affiliated with Zara, this was just a personal project for practice and experimentation.

The Bench is a short film about one ordinary park bench that quietly becomes part of many different lives, as people come and go and leave behind small pieces of what they carry. I created this entirely in CapCut, using their new Video Studio, and honestly had so much fun bringing this idea to life. I really tried to explore and use every part of the workflow, from building the scenes and shaping the mood to refining the storytelling, visuals, voice, and final edit. It was such a fun challenge turning a simple idea into something emotional and cinematic, all inside one creative space. Huge shoutout to CapCut Video Studio for making the process feel so smooth, creative, and exciting. #capcutcpp (https://x.com/hashtag/capcutcpp?src=hashtag_click) #CapCutVideoStudio (https://x.com/hashtag/CapCutVideoStudio?src=hashtag_click) #contra (https://x.com/hashtag/contra?src=hashtag_click)

492

Kling AI(3)