Freelance Fashion Designers in Rio de JaneiroFreelance Fashion Designers in Rio de Janeiro
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Francisca Javiera Lagarrigue Soria's avatar
Francisca Javiera Lagarrigue Soria
Rio de Janeiro, Brazil
Fast & Intuitive Film Producer and Translator
Fast & Intuitive Film Producer and Translator
Cover image for Costume Design series "No nos quieren ver"
Costume Design series "No nos quieren ver"
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10
Cover image for Cromosoma 21 | Nueva Serie - YouTube
Cromosoma 21 | Nueva Serie - YouTube
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3
Cover image for Los mil días de Allende - Tráiler Oficial - YouTube
Los mil días de Allende - Tráiler Oficial - YouTube
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5
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Fashion Designer(3)
Alexandre Almeida's avatar
Alexandre Almeida
Rio de Janeiro, Brazil
3D Product Animation Expert | Character | 3D Modelling
3D Product Animation Expert | Character | 3D Modelling
Cover image for 3D FASHION CLOTHING - BLVD Etiquette
3D FASHION CLOTHING - BLVD Etiquette
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29
Cover image for 3D Clothing Design - Hologon
3D Clothing Design - Hologon
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6
Cover image for 3D Animation - Make Big Bank
3D Animation - Make Big Bank
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3
Cover image for CHAIN 3D ANIMATION - Riot Shift
CHAIN 3D ANIMATION - Riot Shift
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2
Fashion Designer(3)
Ivam Marchon's avatar
Ivam Marchon
proNiterói, Brazil
Creative Director | Ads Videos That Convert with 3D and AI
$1k+
Earned
2x
Hired
5.0
Rating
50
Followers
Creative Director | Ads Videos That Convert with 3D and AI
Cover image for 3D Fashion Design
3D Fashion Design
2
55
Cover image for Visual Explorations // R&D Three simple
Visual Explorations // R&D Three simple shots to capture a mood. I wanted a clean top-down look at the plate, a raw macro close-up focused on the texture, and a shallow depth-of-field shot to ground the human element. Every angle, framing, and lens choice was completely calculated before clicking a button. Just keeping the sequence strictly aligned with a real cinematic standard.
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Cover image for The objective in this work
The objective in this work was to create a series of premium assets for Balto, featuring five specific dog breeds (Pointer, Corgi, Poodle, Westie, Beagle) interacting with a 3D branded element. The project required a seamless blend of AI-generated characters and high-end motion design. THE CHALLENGE: Raw AI video generations often suffer from significant technical flaws: blurred fur textures, inconsistent lighting, and "shimmering" artifacts. For a premium brand like Balto, these "AI artifacts" create a cheap, amateurish feel that dilutes brand authority. Prompt engineering alone is incapable of producing professional and stable assets. THE STRATEGY: A Hybrid Digital Pipeline. As the Creative Lead, I developed a proprietary hybrid workflow to bridge the gap between raw AI output and cinematic quality: - Biological Realism Pass: I executed a heavy post-production layer focused on "fur fidelity" and ocular clarity. By refining the noise-to-texture ratio, I removed the plastic "AI look," ensuring the dogs felt organic and physically present. - Geometric Fidelity & Interaction: The interaction with the 3D coin required precise physics. - Iterative Refinement: Every frame was audited for "shimmering" and warped geometry (common failures in AI) and corrected through a multi-pass upscaling and denoising process. ‍THE CONCLUSION: This project serves as a benchmark for the future of AI in high-end advertising. It proves that AI is a tool, not a replacement for Creative Direction. To achieve this level of quality, a professional eye for VFX and post-production is mandatory. Without this specialized oversight, the result is merely a "cool experiment." With it, it becomes a brand asset of elite quality. Production Note: The coin in this video served as a spatial and temporal anchor, requiring precise synchronization to ensure realistic physics and interaction. I was responsible for the high-fidelity AI generation, biological texturing, and character performance. The final high-resolution 3D asset rendering and compositing were managed by the client’s internal team post-delivery.
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305
Cover image for There is a massive gap
There is a massive gap between "generating" a video and directing one. In my recent work for my client, AI was only the engine. The intelligence and sensitivity were 100% human. For this project, every decision was guided by the "Precision Culture" and the brand’s new 2026 standard. Here is the strategic intent behind the imagery:  1) Cinematographic Intent: Every camera angle and lens choice was planned and intentional; nothing was left to AI chance. By leveraging 3D, I was able to execute the exact camera angles I had envisioned with surgical precision, ensuring there was true direction in every frame. There was true direction in this video. 2) Beyond the Product: The story isn't about selling shears; it's about the trust placed in the tool.  3) The Ritual of Succession: We constructed a narrative of legacy. When the Katana Master presents his blade and the "Hanzo Artist" presents his shears, we are witnessing the transfer of authority from heritage to hyper-modernity. 4) The Hanzo Code: The choice of silence and paused dialogue reflects the core philosophy: strength is calm under pressure.  This required five days of refinement and a lot of cinematographic decisions to ensure the video wasn't just "generated," but directed properly. Note: This film was created as a creative spec piece for conceptual exploration. It is a narrative interpretation and does not represent Hanzo’s actual manufacturing facilities or locations. If your brand’s visual narrative needs more than just “generation”, and it needs a directed vision, send me a message and let’s discuss how to elevate your standards for 2026.
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361
Fashion Designer(1)
Carolina Pajuaba's avatar
Carolina Pajuaba
Rio de Janeiro, Brazil
Project Manager for branding, communication and creative ope
New to Contra
Project Manager for branding, communication and creative ope
Cover image for Wanderlust
Wanderlust
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0
Cover image for Bradesco - Não Estamos Sós
Bradesco - Não Estamos Sós
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0
Cover image for Outback - 100% Bold
Outback - 100% Bold
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0
Cover image for GWM - Ora Skin
GWM - Ora Skin
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0
Fashion Designer(1)