Freelance Video Post-Production Editors in NiteróiFreelance Video Post-Production Editors in Niterói
ProjectsPeople
Ivam Marchon's avatar
Ivam Marchon
proNiterói, Brazil
Creative Director | Ads Videos That Convert with 3D and AI
$1k+
Earned
2x
Hired
55
Followers
Creative Director | Ads Videos That Convert with 3D and AI
Cover image for The objective in this work
The objective in this work was to create a series of premium assets for Balto, featuring five specific dog breeds (Pointer, Corgi, Poodle, Westie, Beagle) interacting with a 3D branded element. The project required a seamless blend of AI-generated characters and high-end motion design. THE CHALLENGE: Raw AI video generations often suffer from significant technical flaws: blurred fur textures, inconsistent lighting, and "shimmering" artifacts. For a premium brand like Balto, these "AI artifacts" create a cheap, amateurish feel that dilutes brand authority. Prompt engineering alone is incapable of producing professional and stable assets. THE STRATEGY: A Hybrid Digital Pipeline. As the Creative Lead, I developed a proprietary hybrid workflow to bridge the gap between raw AI output and cinematic quality: - Biological Realism Pass: I executed a heavy post-production layer focused on "fur fidelity" and ocular clarity. By refining the noise-to-texture ratio, I removed the plastic "AI look," ensuring the dogs felt organic and physically present. - Geometric Fidelity & Interaction: The interaction with the 3D coin required precise physics. - Iterative Refinement: Every frame was audited for "shimmering" and warped geometry (common failures in AI) and corrected through a multi-pass upscaling and denoising process. ‍THE CONCLUSION: This project serves as a benchmark for the future of AI in high-end advertising. It proves that AI is a tool, not a replacement for Creative Direction. To achieve this level of quality, a professional eye for VFX and post-production is mandatory. Without this specialized oversight, the result is merely a "cool experiment." With it, it becomes a brand asset of elite quality. Production Note: The coin in this video served as a spatial and temporal anchor, requiring precise synchronization to ensure realistic physics and interaction. I was responsible for the high-fidelity AI generation, biological texturing, and character performance. The final high-resolution 3D asset rendering and compositing were managed by the client’s internal team post-delivery.
1
623
Cover image for Over the past month, I
Over the past month, I had the chance to work on some really exciting projects and one of them was this visualizer for October London's new album "Love Me for Me", out now via Death Row Records. The objective was to balance the vintage late-night soul mood of the record with a sleek, modern motion pipeline built specifically for mobile screens and digital distribution. Huge thanks to Death Row Records, Snoop Dogg and October London for bringing us on board! Also, a big shoutout to Miguel Saporetti for collaborating on the visual delivery. Art Direction & Motion: Ivam Marchon Visual Assistant: Miguel Saporetti Death Row Records A&R: Teff Mogus, Frank Vasquez Marketing: Fuzzy West, Tomeka Harris Coordinator: Kaiya Lawrence
0
32
Cover image for An editorial visual exploration for
An editorial visual exploration for Lacoste, blending sportswear aesthetics with graphic illustration and dynamic motion. The goal was to create a high-fashion golf concept that bridges brand luxury with modern visual storytelling.
4
4
482
Cover image for Hattori Hanzo Shears needed to market their new apparel line...
Hattori Hanzo Shears needed to market their new apparel line, but physical samples were weeks away. The Solution: A hybrid pipeline merging 3D precision with AI realism. I created accurate "Digital Twins" in CLO3D and Blender directly from tech packs. Then, using Gen AI, I integrated these garments into hyper-realistic lifestyle scenarios with virtual influencers. The Result: We bypassed casting and photography costs entirely, delivering a high-end campaign and 360º assets before the factory even finished the first batch. Check out the full breakdown here: https://ivammarchon.com/3daihattorihanzo/
17
996
Video Post-Production Editor(1)
Alexandre Strachan's avatar
Alexandre Strachan
Rio de Janeiro, Brazil
Excellence in Video Editing & Voice Over
Excellence in Video Editing & Voice Over
Cover image for Documentary of Chapecoense´s plane crash
Documentary of Chapecoense´s plane crash
0
7
Cover image for NBA ON THE ROAD
NBA ON THE ROAD
0
12
Cover image for Caioba Cartola Show
Caioba Cartola Show
0
8
Placeholder project card media
View more →
Video Post-Production Editor(3)
Bruno Luiz's avatar
Bruno Luiz
São João de Meriti, Brazil
🎬 Reels Editor Specialist | Colorist & Videographer
🎬 Reels Editor Specialist | Colorist & Videographer
Cover image for Hormozi Edit
Hormozi Edit
0
9
Cover image for Video Transformation Project
Video Transformation Project
0
8
Cover image for Naval Ravikant Inspired Video Editing
Naval Ravikant Inspired Video Editing
1
8
Placeholder project card media
View more →
Video Post-Production Editor(1)