Freelancers using Adobe Premiere Pro in NavegantesFreelancers using Adobe Premiere Pro in Navegantes
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Andre Inacio's avatar
Andre Inacio
proNavegantes, Brazil
Video Editor | Motion Designer | AI Video Producer
New to Contra
Video Editor | Motion Designer | AI Video Producer
Cover image for Project developed for Younix, a
Project developed for Younix, a gym equipment company. The video combined editing, 3D modeling and equipment animation to present the products in a more modern, visual and dynamic way.
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Cover image for I had the opportunity to
I had the opportunity to participate as an animator in a series of branded content videos featuring Ney Ney, an animated IP connected to Neymar Jr.’s universe. The project is led by Fly Media and NR Sports, and I was part of the production, contributing to the animation of some pieces in the series. The Ney Ney IP is a much larger project, mainly focused on long-form content and on building its own universe around the character. Within that universe, there is also a series of short-form social media pieces created to connect the character with football moments, Neymar’s audience and partner brands. The video I’m showcasing here is part of that social media content series: a piece created around the Brazil vs Haiti context, with the integration of a product from Canção, a food company. The goal was to make the brand appear naturally inside the micro-story, without feeling like a traditional ad. The product needed to live inside the narrative, connected to the humor, the character and the match-day moment. One of the biggest technical and creative challenges was producing an AI-assisted animation that truly felt like traditional 2D animation. We didn’t want the result to look like an artificial intelligence experiment, but rather a consistent, expressive visual piece with a finish close to classic animation. For this project, I worked on the animation, focusing on character consistency, scene rhythm and visual polish, balancing technology, storytelling and animation language. It was a very special project because it brought together a major IP, the cultural weight of Neymar Jr., social media content, product placement and a new way of producing animation with artificial intelligence.
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Cover image for This is a motion design
This is a motion design project we created before generative AI tools really took off. The video presents an auto claims assistance platform, connecting people who had their car damaged with specialists who can help solve the problem. Today, with AI, we can create more ambitious things and explore visual directions that would have been much harder before. But I still really enjoy this kind of full motion project.
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Cover image for In 2025, I started creating
In 2025, I started creating a few tutorials on Instagram showing how to use AI in video production. I was revisiting some files and found this video that I really enjoyed making. The idea was simple: to show how, starting from just a few reference images, it’s possible to create an entire product video using AI.
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Adobe Premiere Pro(2)
Daniel Jacinto's avatar
Daniel Jacinto
Balneário Camboriú, Brazil
Video editor for YouTube, Shorts & paid social · EN/PT/ES
New to Contra
Video editor for YouTube, Shorts & paid social · EN/PT/ES
Cover image for Animated type, cut to the
Animated type, cut to the voice Custom text animated to land on what is being said, timed with sound effects so the words hit instead of just sitting on screen.
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Cover image for Storytelling built on archive b-roll I
Storytelling built on archive b-roll I dug up old footage of the Rich Dad Poor Dad author — appearances on Oprah and alongside Donald Trump — and cut it back in as b-roll to carry the story.
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Cover image for Motion graphics, b-roll, and sound
Motion graphics, b-roll, and sound design Here the focus was b-roll that lands exactly on what the host is saying, with sound effects and transitions picked to match each moment rather than fill it.
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Cover image for Effects and storytelling that hold
Effects and storytelling that hold attention Watch for the face-tracking effect and the red and green flash hits — but the real work here is the storytelling. The full cut on YouTube shows how it builds.
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Adobe Premiere Pro(4)