Freelancers using Stitch.ai in Naples

Freelancers using Stitch.ai in NaplesFreelancers using Stitch.ai in Naples

Projects People

Domenico Amalfitano

Designer

$10k+: Earned

41: Followers

Designer

Cover image for Explore the Cosmos with Star Atlas FM: An Interactive Audio ...

STAR ATLAS FM Prototype Link (https://stitch.withgoogle.com/preview/1555541407976561811?node-id=4ad47ebf5196416ebff1be12ad04ed08) | Direct Link (https://stitch.withgoogle.com/preview/1555541407976561811?node-id=4ad47ebf5196416ebff1be12ad04ed08&raw=1) Star Atlas FM is an experimental web experience that transforms astronomical data into a navigable audio landscape. Users explore a procedurally generated galaxy, discover interactive stars, and tune into unique frequencies inspired by real stellar datasets. The project blends scientific visualization, generative sound, and immersive interaction into a new way of experiencing space. I started with an idea and used Stitch to define the project's design direction, color palette, typography, and interface language. Through iterative prompting, I refined the generated prototypes step by step while continuously evolving the concept into a more focused and creative experience. Stitch was both enjoyable and highly effective to use. It significantly accelerated the journey from idea to execution, making it easy to explore, test, and refine concepts quickly. The iterative workflow encouraged experimentation and helped transform abstract ideas into tangible prototypes much faster than a traditional design process.

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Cover image for TOSON — Golden Order

Inspired by

TOSON — Golden Order Inspired by the Armor of Emperor Ferdinand I (1549) by Kunz Lochner at The Metropolitan Museum of Art, Public Domain, whose backplate bears the crossed staves and firesteels of the Order of the Golden Fleece, an elite chivalric society Ferdinand belonged to. TOSON imagines what that same logic of induction would look like today, built as a fashion house rather than a museum object. TOSON, 2026. A speculative luxury house built from an armor that once certified belonging to an order money could not buy. That rank was inherited, earned, awarded, never purchased. TOSON borrows the language of induction, the seals, the insignia, the architecture of admission, and turns it into a brand, which is exactly the tension at its center: can rank still mean anything once anyone with enough money can acquire it? Every piece is designed to look like membership. None of them can actually grant it. - Original Artwork: https://www.metmuseum.org/art/collection/search/23944

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Cover image for VELOCITÀ TERMINALE

A century ago, speed

VELOCITÀ TERMINALE A century ago, speed was a promise. Today it is closer to a pathology, the thing we mistake for progress while it quietly takes us apart. The horse never moves; it does not need to. Simply existing under the idea of velocity is enough to unravel it, state by state, until what remains is no longer a body but the residue of one. Terminal Velocity is less a portrait of motion than a diagnosis of a culture that confuses acceleration with arrival. Inspired by Horse (1914), Raymond Duchamp Villon's Cubist Futurist bronze at The Metropolitan Museum of Art, and by Boccioni's 1910 horse studies for The City Rises, both Public Domain. Where Futurism used the horse to celebrate speed as progress, Terminal Velocity turns that same force against its own subject. - ARTWORKS: Horse - Raymond Dushamp-Villon: https://www.metmuseum.org/art/collection/search/500417 Horses and Figures in a Landscape - Umberto Boccioni: https://www.metmuseum.org/art/collection/search/485525

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Cover image for Tableau Vivant

A man sits quietly

Tableau Vivant A man sits quietly with his notebook, observing a world that slowly slips away from reality. Created as a single continuous take, the film unfolds like a living surrealist painting. While the protagonist calmly writes in his notebook, impossible scenes emerge around him: monumental animals, dreamlike objects and visual references inspired by iconic works of surrealist art coexist within the same physical space. The longer he remains still, the more reality dissolves into imagination. In the final moment, a kaleidoscope of moths and butterflies surrounds him, transforming the scene into a hypnotic visual vortex before the camera moves closer and closer into his eye. The entire film was generated with Seedance 2.5 inside CapCut Video Studio, using image references to maintain the visual identity, composition and artistic direction throughout the continuous shot + some final touches in CapCut Video Editor.

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