Freelancers using Bubble in Naples

Freelancers using Bubble in NaplesFreelancers using Bubble in Naples

Projects People

Domenico Amalfitano

Designer

$10k+: Earned

41: Followers

Designer

Cover image for DOPAMINE is an experiment in

DOPAMINE is an experiment in digital behavior. It looks and feels like a premium luxury ecommerce platform, but functions as a simulator of compulsive shopping and endless scrolling. Users browse, collect and fill their cart exactly as they would on a real online store, except the experience intentionally stops before checkout. The project explores the psychology behind desire, reward loops and digital consumption, transforming them into an interactive experience. 🔗 Dopamine Test Link (https://dopamine-33562.bubbleapps.io/version-test)

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Cover image for TOSON — Golden Order

Inspired by

TOSON — Golden Order Inspired by the Armor of Emperor Ferdinand I (1549) by Kunz Lochner at The Metropolitan Museum of Art, Public Domain, whose backplate bears the crossed staves and firesteels of the Order of the Golden Fleece, an elite chivalric society Ferdinand belonged to. TOSON imagines what that same logic of induction would look like today, built as a fashion house rather than a museum object. TOSON, 2026. A speculative luxury house built from an armor that once certified belonging to an order money could not buy. That rank was inherited, earned, awarded, never purchased. TOSON borrows the language of induction, the seals, the insignia, the architecture of admission, and turns it into a brand, which is exactly the tension at its center: can rank still mean anything once anyone with enough money can acquire it? Every piece is designed to look like membership. None of them can actually grant it. - Original Artwork: https://www.metmuseum.org/art/collection/search/23944

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Cover image for VELOCITÀ TERMINALE

A century ago, speed

VELOCITÀ TERMINALE A century ago, speed was a promise. Today it is closer to a pathology, the thing we mistake for progress while it quietly takes us apart. The horse never moves; it does not need to. Simply existing under the idea of velocity is enough to unravel it, state by state, until what remains is no longer a body but the residue of one. Terminal Velocity is less a portrait of motion than a diagnosis of a culture that confuses acceleration with arrival. Inspired by Horse (1914), Raymond Duchamp Villon's Cubist Futurist bronze at The Metropolitan Museum of Art, and by Boccioni's 1910 horse studies for The City Rises, both Public Domain. Where Futurism used the horse to celebrate speed as progress, Terminal Velocity turns that same force against its own subject. - ARTWORKS: Horse - Raymond Dushamp-Villon: https://www.metmuseum.org/art/collection/search/500417 Horses and Figures in a Landscape - Umberto Boccioni: https://www.metmuseum.org/art/collection/search/485525

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Cover image for Tableau Vivant

A man sits quietly

Tableau Vivant A man sits quietly with his notebook, observing a world that slowly slips away from reality. Created as a single continuous take, the film unfolds like a living surrealist painting. While the protagonist calmly writes in his notebook, impossible scenes emerge around him: monumental animals, dreamlike objects and visual references inspired by iconic works of surrealist art coexist within the same physical space. The longer he remains still, the more reality dissolves into imagination. In the final moment, a kaleidoscope of moths and butterflies surrounds him, transforming the scene into a hypnotic visual vortex before the camera moves closer and closer into his eye. The entire film was generated with Seedance 2.5 inside CapCut Video Studio, using image references to maintain the visual identity, composition and artistic direction throughout the continuous shot + some final touches in CapCut Video Editor.

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