Freelancers using Contra University in Mumbai
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Shezaan Ansari
pro
Mumbai, India
AI Video Producer | Brand Designer
$10k+
Earned
18x
Hired
5.0
Rating
250
Followers
expert
Expert
+4
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AI Video Producer | Brand Designer
5
Impact at an IMAX scale. ☄️⚔️ Exploring the intersection of deep red samurai lore and "Interstellar" visual language. Key Beats: 0:03 - The Terminal Velocity Impact. 0:06 - Ethereal Titan Eruption. 0:11 - The Mountain-Cleaving Cleave. Crafted with Seedance 2.0. No music—just the raw, seismic SFX of a continental-sized blade parting the earth.
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The Foundry — AXIOM ONE (15s spec spot) New spec drop: a cinematic launch film for a product I invented specifically to direct against — AXIOM ONE, a precision-milled titanium earbud. Process notes for anyone building in AI video: One 15s generation, but directed like a real spot: a locked global style prefix (cinematic / Kodak film emulation), a written product spec repeated verbatim, and three engineered cuts inside a single prompt. Continuity across the wider anthology comes from reference stills generated first, then fed into every video generation — the product never drifts. The "hyper-motion" feel is written as in-camera language: high-frame-rate capture, mixed shutter, engineered speed ramps — not "make it fast." This is Film II of four. Same product, four completely different stories, one visual DNA. Open for cinematic AI ad work — launch films, brand spots, product cinema.
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MAHABHARATA — FROZEN MOMENTS. The epic's four turning points, suspended mid-instant in bronze: the dice throw, the unending sari, the charge at Kurukshetra, the bed of arrows. The reference format is frozen-time tableaux — 26 seconds, only 3 cuts, the world stopped at 2% speed while a single camera orbits through each moment with an ease-out. I reverse-engineered its grade before shooting anything: bronze-gold chiaroscuro, warm blacks, average frame brightness under 20% — one light source carving figures out of darkness. The build inverts normal production: • The keyframe is the film — each still sculpted in Nano Banana Pro until the frozen moment is perfect, suspension baked in (dice mid-air, shards mid-shatter, embers hanging) • Seedance 2.0 animates only the camera: one 360° orbit per 6-second shot, deceleration prompted in, landing on a named final frame • Four shots, soft dissolves, one continuous score — zero hard cuts • Reference screenshots fed as style conditioning so the cast-bronze material never drifts between shots Third entry in my Mahabharata series (after Suryaputra and The Bones). This is the pipeline I bring to launch and brand films — if you're building something that deserves mythology-grade imagery, Let's Talk!
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FIRST TIME ON GROUND — a fashion film shot across Egypt, except nobody went to Egypt. The reference: a real brand film that took 7 days of shooting across the country. I reverse-engineered its edit down to the frame — one 4.5-second opening hold, cuts accelerating from 1s to 0.5s, a one-second strobe burst on the drop, then two seconds of stillness to close. That rhythm is why those films feel expensive. Then I rebuilt the whole thing from zero: • 14 scenes, directed from a full shotlist before generating a single frame • Keyframes in Nano Banana Pro — one locked style system (crimson-amber silhouettes + high-contrast B/W for negative flashes) • Motion in Seedance 2.0 — one decisive camera move per shot, the cutting rhythm lives in the timeline, not the prompt • Title cards generated too, projector flicker included, in a single multishot pass • Graded and cut in Premiere Solo. Zero flights. The edit does 60% of the work — the footage does 40%. This is the production model I bring to launch films and brand films: a real location shoot's craft, without the location. If you're launching something and want a film like this, Lets Talk!
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