Freelancers using Adobe After Effects in FlorianópolisFreelancers using Adobe After Effects in Florianópolis
ProjectsPeople
dennis ish's avatar
dennis ish
Florianópolis, Brazil
let's make your brand come into motion →
34
Followers
RIVE_EXPERT

expert

let's make your brand come into motion →
Cover image for Direct
Direct
0
20
Cover image for surreal app
surreal app
0
38
Cover image for daybreak studio
daybreak studio
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51
Cover image for Dropbox Brand Guidelines
Dropbox Brand Guidelines
2
44
Adobe After Effects(3)
Jessica Leonel's avatar
Jessica Leonel
proFlorianópolis, Brazil
Video Editor | Short-Form, UGC Ads & Branded Content
$1k+
Earned
2x
Hired
4.8
Rating
11
Followers
Video Editor | Short-Form, UGC Ads & Branded Content
Cover image for This edit started with a
This edit started with a simple challenge: several different creators, different deliveries, different footage, but only one short ad to make it all feel cohesive. The first step was finding the strongest soundbites and figuring out how they could work together as one story rather than feeling like a compilation. From there, I built the structure around a clear hook, fast progression and a product-focused payoff, then used captions, product inserts, motion, transitions, music and sound design to keep the pace moving without losing the natural UGC feel. What I enjoy most about this kind of edit is that the real work happens before the polish. It is deciding which sentence opens the video, which reaction is worth keeping, when to change creator, when to show the product, and how to make every cut feel intentional. The goal was to keep the authenticity of UGC while giving the final piece the rhythm and clarity of a paid social ad.
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Cover image for This was one of the most fun AI projects I’ve worked on late...
This was one of the most fun AI projects I’ve worked on lately. For Tecnofas, we created a full clay-style animation, literally building the visual language around that handcrafted, stop-motion look, but produced with AI. The video above is a compilation of some of the scenes we developed for the project. The creative challenge was to explain a very technical difference in a way that felt simple and visual: comparing a traditional retrofit construction process with a ventilated façade system, which can reduce the number of workers needed on site by up to 60%. Tecnofas is the kind of client that really enjoys experimenting with new visual languages, so we had a lot of freedom to explore the concept, test ideas and push the AI workflow beyond a standard corporate animation. That freedom made the process especially enjoyable. Instead of using AI only to make production faster, we used it to create a visual style that would probably never have been the obvious choice for this kind of industrial communication.
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17
944
Cover image for For Junoo, we had already
For Junoo, we had already received real product samples for a separate UGC production. The AI piece came in as an additional creative route: a way to explore how much further we could take the campaign without depending on another traditional shoot. Using real product photography as our reference, we created a fully AI-generated UGC concept from scratch, including the creator, environment, styling and overall visual direction. The content was developed around the aesthetic the client wanted and adapted to feel relevant to the audience in the target city, while keeping the real product at the center of the piece. What I like about this kind of workflow is the flexibility it creates. Once the product is in hand and properly referenced, we’re no longer limited to a single casting, location or production setup. AI becomes a way to expand the creative territory of a campaign and produce additional content directions that would otherwise require a completely new shoot.
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133
Cover image for One of the challenges with this Inplac project is that the c...
One of the challenges with this Inplac project is that the client doesn’t always have access to strong, current product photography. I don’t see that as a limitation. For this piece, we used AI to build highly detailed product visuals from the available references, then developed those images into animated scenes for social content and ads. The goal wasn’t to create something that simply looked polished. It was to make the product feel tangible, well presented and visually convincing even when the original production material was limited. A lot of the work comes down to art direction: defining the scene, lighting, materials, framing and movement in a way that still feels coherent with the real product. For clients with difficult or expensive product shoots, this opens up a lot of possibilities. Limited photography doesn’t have to mean limited content.
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13
519
Adobe After Effects(12)
Rodney Pacheco's avatar
Rodney Pacheco
Florianópolis, Brazil
+20 Years Creating Impactful Visual Solutions
+20 Years Creating Impactful Visual Solutions
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
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3
Cover image for Cassol Institutional video 60 sec
Cassol Institutional video 60 sec
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4
Cover image for Breinfuel All Day Focus #1
Breinfuel All Day Focus #1
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6
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
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3
Adobe After Effects(4)
Pedro Barbarotti Berben's avatar
Pedro Barbarotti Berben
Palhoça, Brazil
Cinematic AI videos & landing pages for bold brands.
Cinematic AI videos & landing pages for bold brands.
Cover image for A cinematic reel produced entirely
A cinematic reel produced entirely with AI — no crew, no location scouts, no production budget. The project combines aerial landscape footage, a curated content gallery sequence, golden-hour lifestyle shots, and a direct-to-camera close-up into one cohesive visual story. Built to stop the scroll and make the brand feel like a film.
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112
Cover image for Everyone has access to the
Everyone has access to the same ingredients. The camera, the AI models, the platforms. All of it is available to anyone right now. You download it, you access it, you test it. But the dish that comes out — that was chosen by the cook. The composition. The timing. The decision of when to stop adding and just serve. Nobody teaches you that in a tutorial tab. You learn it by cooking, by failing, and by understanding what actually made sense on the plate. Making AI video is exactly that. The advantage isn't having access to the tool. It's knowing how to operate it.
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112
Cover image for You're looking at my face
You're looking at my face right now. I didn't record any of this. No camera. No studio. No crew. Just AI, and knowing how to operate it. This is what I do for clients in the real estate market: cinematic video production powered by generative AI. Full creative direction, prompt engineering, and post-production. The advantage isn't having access to the tools. It's knowing how to use them. my portfolio: https://soubarbarotti.com.br/
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116
Cover image for AI-generated promotional video for a
AI-generated promotional video for a real estate launch in Palhoça, Santa Catarina. Full cinematic production using generative AI, lifestyle scenes showcasing the development's amenities, aerial location context, and surrounding landmarks. No on-camera presenter, the story is told entirely through AI-generated visuals with cinematic direction and golden hour atmosphere.
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142
Adobe After Effects(6)
Barbara Sousa's avatar
Barbara Sousa
Florianópolis, Brazil
Product Designer | UI/UX Designer | Web Designer
Product Designer | UI/UX Designer | Web Designer
Cover image for Website redesign
Website redesign
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9
Cover image for UI mobile design
UI mobile design
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9
Cover image for UX UI design for app integration
UX UI design for app integration
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14
Cover image for Website redesign for Goleerix
Website redesign for Goleerix
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7
Adobe After Effects(1)