Projects in Belén de Escobar
Projects in Belén de Escobar
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Miranda Logioia
Nestify | UX/UI Case Study for Real Estate Matching
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Anddres Soria
Agencia de diseño - Crisstian
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Claudio Limongi
Arredo Italiano
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Dalma Monroy
Woman Warrior/Vikinga - Challenging 3D Modeling Project
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5
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Federico Gabriel Martinez
Publicidad con Motion Graphics para redes sociales
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4
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Pilar Gorosito
Skincare Brand Ad
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3
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Horacio Dell Aquila
Social Media Visual Content Creation
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Joaquín Vago
Mercado Pago México | La cuenta digital de Mercado Libre
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4
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Creative Capital
pro
Patio is a global network of tech cooperatives working together to democratize the digital sector through shared knowledge, job opportunities, and collaboration. Operating across 19 countries, the project connects designers, developers, and communicators in solidarity. We redesigned their visual identity to enhance professionalism, positioning the brand as a trusted partner for both co-op members and global clients.
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Mariana Bueno
ROOMIE Fashion Gallery
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Nina Ramirez
Designed a mobile ticketing app for CinemaPlus as part of the Google UX Design Certificate. The goal: eliminate ticket line frustration for time-conscious moviegoers. The solution covers seamless seat selection, snack pre-ordering, and location filtering — all built around an intuitive, accessible flow.
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Karla Schoeman
LinkedIn & Instagram Content Strategy Tech Company | Feb 2025 – Sep 2025 Brief: Tasked with building a consistent content presence across LinkedIn and Instagram to support brand awareness and drive engagement in a competitive tech market. Role & Responsibilities: Built and managed a monthly content calendar. Created and scheduled posts aligned with tone and objectives. Designed assets and wrote copy for both platforms. Developed varied post types – polls, carousels, stat posts, and events. Tools Used: LinkedIn, Instagram, Canva, Asana, Grammarly Portfolio available on request.
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Fervor Studio
BRANDING: Bordo Bakery
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Maria Florencia Musitani
Create a before-and-after style visual representing automation refactoring and stabilization. Concept: Messy, fragile automation transformed into a clean, stable, production-ready system. Visuals: Left side: tangled, chaotic flows Right side: clean, structured workflow Abstract contrast without text Clear visual improvement narrative Style: Minimal, professional Neutral palette with subtle contrast No aggressive colors Mood: Stability, reliability, engineering maturity
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Juan ignacio Veltri
BE PAWLY — A COMPLETE LAUNCH KIT, ORCHESTRATED BY AN AGENT IN ONE AFTERNOON The premise I'm an indie dev about to launch Be Pawly, an AI-powered app that matches photos of lost and found pets in real time, helping reunite them with their owners. The product is ready. The launch kit wasn't. Hiring an agency for identity, mockups, ads, and a launch video wasn't on the table for a solo founder. So I gave Melius a single brief and let Mel orchestrate the entire kit. The result 18 connected nodes. One coherent brand. About 4,000 credits consumed out of 50,000. → Hand-drawn bilingual logo with the tagline "Conectamos corazones, reunimos familias" → 3 mobile app UI mockups (Upload Lost Pet, AI Match, Reunion Confirmed) → 4 emotionally segmented Meta ads (Community, Gratitude, Hope, Urgency) → 1 redesigned modern "missing pet" street flyer with QR → 1 cinematic 15-second vertical Instagram video, anchored to a keyframe The process, in three phases I gated execution by phase to manage credits and review the agent's output at every dependency boundary. Phase 1 — Foundation (72 credits). Just the logo. The logo anchors every downstream asset, so it was the only node I needed to lock before generating anything else. Mel routed GPT Image 2 (Medium) and delivered a hand-drawn terracotta mark, and proposed a bilingual tagline I never asked for, but that fit the Latin American neighborhood-first tone perfectly. Phase 2 — Derivatives (around 1,000 credits, 8 parallel nodes). Three UI mockups, four ad variants, one flyer. Mel propagated the Spanish tagline across every asset without prompting, invented credible character names (Max, Toby, María & Simba), and used context-appropriate Latin American Spanish ("publicador" instead of "poster"). The brand feels like a real product, not stock. Phase 3 — Motion (around 3,000 credits). A cinematic keyframe of the reunion, then a 15-second vertical Instagram spot anchored to it. When I asked Mel which model it would use, it didn't just pick — it offered me Kling 3.0 Omni (2,520 credits) versus Grok Imagine (1,260 credits), explained the tradeoff ("Kling handles the emotional human-first nuance a bit better"), and let me decide. What separates an agent from a generator Three behaviors Mel did on its own that no generator I've used does: Model routing with reasoning. GPT Image 2 across the 8 image nodes for stylistic coherence; Kling 3.0 Omni for the video, chosen for emotional nuance. Transparent about cost tradeoffs. Style propagation through wired connections. The tagline, color palette, and character voice flowed from one node into every downstream node automatically. No copy-paste, no re-prompting. Initiative within taste. The bilingual tagline. The character names. The neighborhood-aware Spanish. These were unprompted but always on-brief. Feedback for the Melius team What worked beautifully: → The canvas-as-conversation model. Being able to point at a specific node and refine it without re-running the whole graph is a step-change versus linear chat-based generation. → Mel's proactive credit transparency. Asking "which model and how many credits" before running was huge for budget management. → Auto-grouping into Brand Identity, Meta Ad Campaign, and Social Video was an unprompted decision that made the canvas instantly readable. Suggestions: → Surface estimated credit cost on hover for every node before approval, not just when prompted. → A "fork node" action to create alternative variants in parallel without losing the original would be useful for A/B-ing ads. → An export-as-launch-kit shortcut (a zip with all assets in presentation order) would close the loop from creative to delivery. Built entirely on Melius. Models routed: GPT Image 2 (Medium) and Kling 3.0 Omni. Total credits consumed: about 4,000 of 50,000. The 15-second reunion video is attached. Project canvas: https://app.melius.com/projects/04e916b8-35de-4957-8db6-53ac1af180ad/canvas/4d8d194a-d0d5-4e4c-a59b-d7a4561923bb
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matias ezequiel fontenla
New personal project: a website for an architecture studio. I developed everything from scratch: animated main banner, infinite brand carousel, services carousel, fluid dark background for testimonials, auto-scrolling gallery, and a clean project grid. No templates. No shortcuts. Just code. This is the kind of website I design for my clients. Would you buy it? #webdesign #frontend #framer #userinterfacedesign #matiasfontenla
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