Full-Stack Apps & Interactive 3D Websites
Edolus explains AI infrastructure by taking you on a journey. It starts with Earth from orbit, then drops through the clouds into a glowing chip node, then closes in on a 3D server blade you can see inside. The black and gold palette, the sound, and the smooth camera moves make a technical product feel cinematic.
Big shout-out to Viktor Oddy (https://x.com/viktoroddy) for building this. The scale, the lighting, and the pacing are excellent.
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Nadir starts at a lighthouse in the middle of a storm, with rain falling and the lamp glowing red. Then you scroll and descend through a copper tunnel into a deep archive of glowing capsules. The depth gauge, the live weather readouts, and the glass panels make the whole descent feel like a real instrument. It’s atmospheric storytelling done well.
Big shout-out to Rishabh Joshi for building this. The mood, the lighting, and the details are stunning.
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Vive tells its story by flying you through a space station. Scroll and the camera moves from a ring floating in the dark into long, glowing corridors of archive panels, with the copy changing at every stage. A decision-memory tool is a hard thing to show, and this makes it feel cinematic and easy to follow.
Big shout-out to Rishab for building this. The camera work, the lighting, and the storytelling are excellent.
🔗 https://vive-hero.vercel.app
(https://vive-hero.vercel.app)💻 https://github.com/rishabdesigns/viv (https://github.com/rishabdesigns/vive)
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Gladeye’s homepage is a dark 3D meadow made of thousands of tiny flowers. They drift, bloom, and shift in and out of focus as you move, behind a simple line about a regenerative future. It’s calm and quiet, and the visuals match the message.
Big shout-out to Gladeye for building this. The depth, the color, and the soft motion are beautiful. 👏
🔗 gladeye.com
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Award-winning agency specializing in design and development.
- 5.0
- Rating
- 39
- Followers
Award-winning agency specializing in design and development.
The Heron Dashboard page had to make an agent's work legible after the fact, which is a different job to explaining what the agent does.
The hierarchy leads on time saved rather than activity volume. Heron's positioning rests on hours lost to repetitive modelling, so the product reports back in the same unit, supported by model health, active and pending item counts, and a feed of agent actions. The second half of the page covers contextual code questions, answered against a specific layout and occupancy rather than quoted in isolation.
Mobile treated density as the core problem. The four headline figures are kept grouped so the summary survives a portrait screen, and tabular content is restructured into stacked cards rather than compressed into scrollable tables.
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Very little of the Heron site is layout, which makes responsive a design problem rather than a build task.
The hero depends on a cursor drag, the preloader on a datum line moving up a full elevation, the explanation on a four-beat scroll sequence, and the whole visual system on architectural linework that fails when scaled down.
Each of those was re-solved for mobile. The hero interaction was rebuilt for touch and reframed to portrait. The scroll sequence was re-timed for shorter distances. Drawings were recropped so the relevant part of the plan is shown at a readable size instead of the whole drawing at an unreadable one. Motion weight was reduced to hold performance on mid-range devices without dropping any of the beats that carry the story.
Since most traffic arrives on mobile, this version had to stand on its own rather than gesture at the desktop experience.
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Page transitions on Heron are treated as view changes rather than document loads. Motion exits one page and continues into the next, with no hard reset and no white flash between states.
The reasoning is product-led. Heron runs inside Revit, Rhino, ArchiCAD and SketchUp, where switching context means panels updating around a drawing that stays put. A site built to sell that experience shouldn't behave like a set of separate files.
The transition also gives us somewhere to hide load time, which keeps the heavier interactive sections feeling immediate on slower connections.
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The About hero is a three-state sequence that does the identity work and the product explanation at the same time.
It opens on a hexagonal floor plan drawn in full detail, with walls, fixtures and dimension strings. Red blocks then resolve over sections of the layout, marking the kind of issues Heron is built to catch. Finally the plan lifts into an isometric view and folds into the Heron wordmark's symbol, with the dashed hexagon beneath the mark matching the original building footprint exactly.
The mark was constructed from the plan rather than drawn separately and rationalised later, which is why the transition holds. It also means the About page opens by demonstrating the product loop before any copy about the founders appears.
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Framer Expert & Digital Brand Designer
Framer Expert & Digital Brand Designer
Expert Fullstack Developer for Enterprise Solutions
Expert Fullstack Developer for Enterprise Solutions
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