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I am amazed by this AI video which I came across a while ago
Something happened to my previous submission due to which my submission Badge was vanished from it 😔, the post was trending now I have to get views again, hope new submission will work well:
What I built:
"Portal Protocol" It is a 30-second sci-fi short film. I made it as...
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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retrofuturism
Share your favorite designs from the past exploring the distant future. Or your own take on the aesthetic 🚀
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Dots. Texture. Grain. Let's see your designs using the halftone technique.
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What if an action movie had ZERO cuts?
I built a one-take chase sequence in Seedance 2.5; following a fugitive running through chaos, explosions, and close combat in real time.
The entire film is one continuous shot, designed to feel immersive, fast, and cinematic from start to finish.
Created in CapCut Video Studio using AI-driven camera movement and seamless transitions.
#contraseedancechallenge #CapCutCPP
So real.... Are you sure this Ai?
I built a one-take journey through the impossible — a story about an astronaut who keeps moving forward as reality constantly changes around him. I wanted to explore how far a single continuous shot could take you, without relying on cuts to create spectacle or surprise. The idea was to make something that feels unpredictable, playful, and cinematic, while pushing Seedance 2.5 to its limits.
@CapCut #CapCutCpp #Seedance25 #AIFilm #AIFilmMaking #AICinema #OneTake #GenerativeAI
Hello Vishnu, they gave me 5k credits and spent it in 3-4 hours. I tried to buy more but I couldnt. Do you know why? I see that you have 13k credits. Great job on this btw!
I wanted to create something that felt like a lost classic American historical epic but with one major limitation: there is nowhere to hide behind a cut.
The Last Blade is a continuous one-take sword battle where the camera moves directly through a massive medieval battlefield, following one warrior from the muddy front lines, through a castle gate, into a chaotic courtyard, and finally into a final duel.
Every movement was designed to feel physically connected. Sword clashes, charging horses, collapsing structures, smoke, rain, fire, and close-quarters combat become natural moments for the camera to move through the environment without breaking the shot.
The challenge wasn't simply making a big battle.
It was asking:
How cinematic can a battle feel when the camera is never allowed to cut?
I wanted the final result to feel like a scene from a huge old-school Hollywood sword film raw, physical, dramatic, and completely immersive — while pushing Seedance 2.5 to create the kind of continuous camera choreography that would normally require an entire production team and dozens of shots.
Nice fight!