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With The #championships at @wimbledon kicking off today, we took on a personal creative exploration centered around @poloralphlauren and their iconic Wimbledon film.
Since 2006, #ralphlauren has been the first and only designer in the tournament's 149-year history to serve as its Official Outfitter, shaping the look of the courts with a timeless blend of sport and elegance.
For this project, our goal was to craft a custom #sonic landscape that complements the visual narrative and brings the world of #wimbledon to life through #áudio . From the thread of a needle to the hush before the match, it was a fantastic experience reimagining the auditory identity of this film and pushing the boundaries of what this story could #sound like. A personal project, made purely for the love of the craft 🤍
#sounddesign #penroseaudio
Love this!
Awesome! Love the stories crossover ☺️
Cinematic
Hot damnnn
Awesome
Great work
Nice
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TITLE:- RALPH SPOONS
I'll let you guys decide what to make of it..
Built for the RENOISE CHALLENGE using renoise.ai inculcating the use of Renoise Canvas and FacePass features primarily. Used the Image Assets for referencing throughout .
Credits spent:- 870 Leftover:- 130
I had to fine tune each clip again to make up for the inconsistencies which was experimental and fun.
Final editing done in Clipchamp.
It is a SOLO project from me , Prasun.
I have attached the workflow walkthrough for you guys to see along with the final output. I HAD A BALL working on this and am really excited to see what others made . Cheers!
Music by Ludwig van Beethoven. Bagatelle No.25
I read it as: the man is trying to protect the child, but ends up looking guilty, which makes the message feel like “nothing is really what it seems.” The spoon connection could be “don’t swallow everything you see at first glance.” 🤔
Still thinking about the sandwich though 😄
Meet ECHO — a creative urban spirit and the face of ECHO, a New York platform for discovering hidden cultural events.
I created ECHO as more than a mascot. He is a humanoid spirit of the creative city: he notices what others miss in familiar places and leads people toward original experiences before they become obvious.
A private rooftop performance in New York. A basement theatre show. An emerging artist’s exhibition. A DJ set somewhere below the subway. ECHO already knows where to go.
He is creative, intelligent, challenging, and deeply intolerant of banality. He has his own attitude: sometimes impatient, sometimes slightly arrogant, always confident that he can see the city’s next cultural signal before everyone else.
For this project, I developed the entire ECHO world from the ground up: the original brand concept, the humanoid urban-spirit mascot, his personality and character sheet, the name, and the stylized condensed typography that became the foundation of the visual identity.
Recraft Explore was especially important in this process. It gave me a strong space to develop ECHO’s visual language, test the character across different applications, and turn one mascot idea into a complete and consistent creative world.
From there, I expanded ECHO into a full brand ecosystem: a city-discovery platform website, an exclusive secret-event invitation, merch, a sticker pack, posters, and short videos that reveal the mascot’s character in motion.
ECHO is not simply a character representing the brand. ECHO and the brand exist together: the platform helps people find the city’s hidden creative life, while the spirit gives that search its personality, perspective, and voice.
Thank you to the Recraft team and the Contra team for the opportunity and support. I loved watching the world of ECHO come alive. 🖤💜🩵
Impressive work!
I've been developing The Echo Keeper for several months — a Dune-inspired speculative fiction about Dorian, a solitary man with the ability to heal geological damage through acoustic frequencies, and Elara, the researcher who tracks him down.
When the Renoise Challenge dropped, it felt like the perfect opportunity to make a proper trailer for this world I've been building.
OVERVIEW
For this submission I developed:
- Cinematic reference frames created during pre-production as visual development assets
- Renoise Canvas generations using Seedance 2.0 with pre-production frames as first-frame references
- Two pure text-to-video generations for the instrument reveal and final healing landscape
- Original score composed in Logic Pro X
- Full edit assembled in Final Cut Pro
HOW I USED RENOISE
Renoise Canvas became the bridge between my visual development work and a living breathing trailer. I used image-to-video with pre-production frames as first-frame anchors, directing atmospheric motion — figure movement, mist, geological transformation — through carefully engineered prompts rather than camera moves. The goal was always to make the AI video feel inhabited rather than generated.
The interpolation between the opening forest road and the cliff edge establishing shot was the most interesting technical challenge — letting Seedance build the transition between two environments while maintaining cinematic continuity.
MY FINAL THOUGHTS
The score does as much storytelling as the visuals. The twist lands musically before it lands visually — the harmonic world opens up the moment Dorian's instrument appears on screen. That relationship between sound and image is central to what The Echo Keeper is about, so it felt right that the trailer worked the same way.
The Echo Keeper full series is in production stage at the moment. Nine chapters, original score, releasing on YouTube later this year.
#RenoiseChallenge
Beautiful! Excellent job man! congrats!!
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