Have you ever seen 3D movements with 2D layers ? Null Object (in editing/compositing): A null is

Have you ever seen 3D movements with 2D layers ? Null Object (in editing/compositing): A null isHave you ever seen 3D movements with 2D layers ? Null Object (in editing/compositing): A null is

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James Mckenzi

• Mar 28

Have you ever seen 3D movements with 2D layers ?

Null Object (in editing/compositing):

A null is an invisible layer used as a control object. It doesn’t appear in the final render, but you can attach other elements to it to easily move, rotate, or animate them together.

So , this is a simple null movements i did when i was bored

Software : Alight motion

References from " Absolute Cinema " meme

Texts with Animatic SC bold font

I was able to do more than this but this is the final result for now

Alight Motion Content Editing Video Editing Editing

Bartek Radziejewski

pro

• Mar 31

Here is my HMI entry. I was in this Evangelion theme already so I decided to keep going and to showcase how we can use regular data to create unusual UI and animations. Have a look on the walkthrough and the demo where i talk more about the project and some behind the scenes Walkthrough and demo: https://supercut.ai/share/radbar/12dSgZhS2VMxcpL9x7w9sN

vehiclehmiwithrive

Yuri Kurganski

• Apr 2

I would give you all three winning places, fantastic work!

Nigar Naghdaliyeva

pro

• Mar 30

🎵✨ An interactive 3D harp experience you can play with your hands ✋No clicks — just natural hand gestures 🎨 Minimal, mystical Renaissance-inspired aesthetic 🌙 Calm, immersive and artistic atmosphere This project explores how physical movement can transform into a digital musical interaction. 🔗 Try it here: https://omma.build/p/scene-variation-with-new-content-fd9slm 🌐 Social: https://x.com/Naghdaliyevaart/status/2038625313702211731?s=20

ommabysplinebuildathon Spline uidesign Interaction Design UI Design Web Design

PRATEEK VERMA

• Mar 31

Great work

Shezaan Ansari

• Mar 31

BULL VS. MACHINE: A Cinematic AI Experiment A high-concept AI video production exploring the intersection of organic power and mechanical speed. This project serves as a case study in advanced AI cinematography, utilizing capcut & Higgsfield AI to create complex environmental interactions—specifically the "Vortex" sequence and synchronized tracking shots between F1 cars and animal subjects.

Completed work