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A fully cinematic luxury hypercar advertisement — generated entirely by AI.
No camera. No crew. No studio. Just a prompt, a pipeline, and persistence.
I tried this over 10 times. Wrong models, burned credits, failed nodes, daily limits hit — everything that could go wrong, did.
But I kept going. Because I knew what This could look like if it worked.
This is Scene 1 — The Alps. Watch what happens when AI meets cinematic storytelling. 🏔️
Scene 2 — Monaco Harbor at blue hour 🌊
Same car. Different world. This is what a reusable template looks like — one pipeline, infinite locations.
Scene 3 — Desert Highway at midnight 🌌
Milky Way overhead. Headlights cutting through pure darkness.
The pipeline places any car into any environment automatically.
Full template drops soon 👇
Here is the full node pipeline behind this advertisement 👇
Every node connected. Every scene generated automatically from one car photo input.
This is ElevenCreative Flows at its full potential.
Template link coming tomorrow ⚡
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
🚗 I built something I've never seen
anyone do before on ElevenCreative Flows.
A fully cinematic luxury hypercar
advertisement — generated entirely by AI.
No camera. No crew. No studio.
Just a prompt, a pipeline, and persistence.
I tried this over 10 times. Wrong models,
burned credits, failed nodes, daily limits
hit — everything that could go wrong, did.
But I kept going. Because I knew what
This could look like if it worked.
This is Scene 1 — The Alps.
Watch what happens when AI meets
cinematic storytelling. 🏔️
Full template drops soon 👇
#ElevenCreative #ElevenLabs #AIVideo
#elevencreativeflows
Scene 3 — Desert Highway at midnight 🌌
Milky Way overhead. Headlights cutting
through pure darkness.
The pipeline places any car into any
environment automatically.
Hey Contra creators!
We’ve loved seeing the creativity from your templates so far.
Tips before submitting:
1. don’t forget to include your published Template link in your submission so we can validate your entry.
2. we strongly encourage using the full integrated ElevenCreative stack inside your Templates, including voice, music, image, video, and SFX tools. End-to-end workflows built fully within ElevenCreative will stand out most!
FYI, we’re currently hiring an AI Creative Producer at ElevenLabs, and standout submissions are definitely getting noticed by the team!
Last 4 days to enter, good luck everyone!
Hi Matthieu! Is there a place to get a consultation on some prompts on 11 LAbs? Though I watched all the tutorials and re-made a lot of prompts I always get the generation failed. Even when I overcome it in the flow, it appears again the template. Would be great to talk to someone
PROJECT NAME
AION PYR — The Aitherioi
CONCEPT / PROJECT DESCRIPTION
AION PYR is a one-minute instrumental progressive-rock film by The Aitherioi, a fictional trio of pale pre-terrestrial beings older than Earth.
They were here when the planet was born from heat, basalt, and lava, and they remain calm as that world dissolves into stardust. The film follows them performing inside a collapsing volcanic cathedral while lava, steam, lightning, and stone slowly give way to void.
The music is built only from guitar, bass, and drums: slow, heavy, repetitive, bass-led, and cathartic.
PROCESS
I started by defining The Aitherioi: a fictional pre-terrestrial trio with a shared visual identity, pale ethereal bodies, severe faces, long dark hair, and calm expressions.
Then I built the visual system around contrast: fossil-dark basalt, living lava, white steam, lightning, and their stillness inside collapse.
I created character assets, face studies, wardrobe references, instrument references, environment plates, keyframes, and individual video scenes.
The music was built first as a strict one-minute instrumental progressive-rock track using only guitar, bass, and drums. The video was then structured to follow the track: bass opening, wide trio, basalt corridor, guitar catharsis, drummer pulse, matter dissolution, and final void.
Finally, I stitched the scenes together with clean cuts so the film follows the music without extra transitions or title cards.
FEEDBACK ON BUILDING WITH MELIUS
Melius worked best as a production canvas rather than a single-prompt generator.
The node-based workflow made it possible to build the project in layers: character identity, environments, audio, keyframes, video clips, and final assembly. That helped keep the concept coherent while still allowing corrections when individual shots needed refinement.
The biggest challenge was visual continuity, especially keeping The Aitherioi consistent across scenes. The most useful approach was creating strict reference assets first, then using them as anchors for keyframes and video generation.
This is raw power, like it so much!
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