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The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Could video transformation become more important than video generation?
I tried Google's latest video model, Gemini Omni, using my own footage as input and asked it to transform the scene from warm lighting to a cool blue mood, and then to bright studio lighting.
As someone who loves Nano Banana, I had pretty high expectations for this.
And I have to say, I think it did a surprisingly good job.
The consistency wasn't perfect, but it managed to preserve most of the original scene while changing the mood and lighting.
Being able to explore multiple moods from the same footage could be a powerful tool for storytelling.
Sharing my process in the comments.
What's the first thing you'd try with this?
Serving sweetness one frame at a time 🍦✨
Created this ice cream product animation to bring the flavor, texture, and freshness to life through engaging visuals and motion. Designed to grab attention, spark cravings, and help brands stand out on social media.
Which flavor are you choosing first? 😍👇
#IceCream #ProductAnimation #VideoEditing #ContentCreation #SocialMediaMarketing #MotionDesign #FoodMarketing #FoodContent #BrandContent #InstagramReels #ShortFormVideo #VisualStorytelling #DigitalMarketing #FoodBrand #CreativeDesign
I’ve been interested in bringing more analog elements into my design process—not only to add more visual interest, but also to help me step away from my computer screen, which can feel draining at times.
With that idea in mind, I started scanning and collecting all the little bits and pieces I’ve gathered over the past few years—from magazines to metro and museum tickets.
It’s been fun to revisit those moments and to take little breaks from my desk to walk over to the scanner while I’m designing.
Here are a few examples from that exercise! 🙂
The metro and museum tickets are a nice touch. There's something about ephemera like that which carries a texture and context that stock imagery never can. How are you compositing them in Photoshop, scanning flat or photographing?
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