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Here are more Editorial pictures for "L'Empreinte" fictional collection inspired by Thomas-Francois Germain's Craft, if you want to check out the process you can view it here: https://on.contra.com/6r8KDF
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We are so excited to kick off the Flora Museum Challenge!
Check out the guidelines here to get started 🎨
A full shoot, built from a single product photo.
I started with one flat e-commerce packshot, the same asset any brand already has, and built the rest: fabric detail, styling, and the product worn, on two models, across front, profile and back. One coherent world, one locked direction.
It works two ways: as pre-production, to explore several directions before a shoot and decide with something real in front of you, and as final, campaign-ready visuals for social and e-commerce, refined down to the detail.
And it scales in every direction: more products and full looks, several models in a single frame, different sets and moods from the same starting assets, and motion.
Find out more at https://lnkd.in/eXN3mFQE
Self-initiated project on EME STUDIOS pieces, not affiliated.
I’m closing my calendar for the coming month. If this could fit your brand, my inbox is open 📬
These are beautiful!
"The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode"
THE CORE IDEA: "TIME" AS THE VARIABLE
My reimagining doesn't change the idea of the piece, it changes the century. Same two women. Same gestures, same silhouette-language of the bustle dresses translated into 2125 couture.
This project takes Jules David's 1887 fashion plate, a candid, staged moment for Le Moniteur de la Mode, and asks what that same magazine would be staging in the year 2137. The two women keep their exact poses, their exact positions, the fan and parasol raised at the same angles, even the same masthead and caption text but everything they wear and everything around them has been carried forward two and a half centuries: a fitted liquid-lamé gown standing in for Victorian tailoring, a ruby-beaded illusion gown in place of polka-dot silk, a modern folding fan and a transparent bubble umbrella replacing their antique counterparts.
Pulling the frame back reveals the world this future fashion actually lives in a Champ de Mars where the Eiffel Tower can be seen, "the soul of Paris", its ironwork intact but laced with soft bioluminescent light, overlooking a Paris that has evolved rather than been replaced.
And finally, the piece imagines the artwork's own origin: a behind-the-scenes glimpse of a future Jules David, seated at his easel on that same terrace, the canvas still half-finished, painting these two women as they hold their pose for him showing not just the reimagined fashion plate, but the living moment it might have been made from.
Link to original "The Met Art": https://www.metmuseum.org/art/collection/search/919442
I love it Tom!! 🚀