A 30-second launch film for a fictional AI agent that clears the inbox and ops work before the day starts. The agent never shows up as a robot or a chat bubble. It's a single line of amber light that reads, works, asks for approval, and draws the logo.
Includes: 30-second master (1080p60), 15-second cutdowns in 16:9 and 9:16, three UI loops, a motion system sheet, original music, and custom sound design for every interaction.
Concept project. Fictional brand, not a real product.
An independent concept exploring what a Champions League ball could look like through Nike’s visual language.
The idea starts with a star containing a Swoosh in the negative space, then extends into a complete ball system using Nike’s existing panel construction.
Designed and animated with Spline, After Effects, and a custom 3D ball tool built for the project.
Unofficial concept. Not affiliated with Nike or UEFA.
Thrilled to share my latest piece—a 25-second commercial for "BobaJoy."
The goal was to break away from standard, static beverage ads and pull the viewer directly into a hyper-kinetic world. I pushed the limits of next-gen AI video generation (specifically Seedance 2.5) to build this visual narrative from the ground up.
From the aggressive macro shots of tapioca pearls splashing to the POV camera diving straight into the ice, every frame was crafted for maximum dynamism. Balancing that high-speed, intense opening with a deadpan, comedic "Is this... legal?" dialogue at the end was the highlight of the editing process.
Bypassing the physical limitations of traditional production to achieve a professional, cinematic commercial aesthetic is exactly why I love working with AI in video production.