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Created a short animated rescue video using AI, featuring an engaging rescue storyline, dynamic visuals, and smooth animation to deliver an emotional and impactful experience.
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Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Your living room is the new gym 💪
A 10-second UGC demo for a resistance bands set — hook-first, real tension on camera, and the full set held up at the end. Would you train with bands at home?
Want UGC ads like this for your product? UGC from $50, first drafts in 48–72 hours, 2 revisions included.
https://contra.com/s/gXq6FWFe-ai-ugc-product-video-ad-for-tik-tok-reels-and-meta
Follow for more AI ad work 👇
The tight close up of the grip with the band under tension sells the product in the first second, and the red handle pops against the purple top. Did you make the hook shot separately from the full set shot at the end?
If you missed it! My creation for the Recraft Challenge
The Modern Bestiary — Old monsters, new curses
I found Anton Seder's Das Thier in der decorativen Kunst (Vienna, 1896) on the Internet Archive, in a public-domain scan by the Getty Research Institute: dragons and sea serpents engraved like a naturalist's specimens and framed in...
Great work 👏🏻
"The Interview", a 60 second psychological drama trailer about a job interview that slowly turns into an interrogation about one rainy night four years ago.
I wanted the whole thing to feel like a real scene shot on set, not a collection of separate AI shots. It’s just two characters in one glass office room, so all the tension had to come from performance, framing and silence.
I built consistent characters and kept the same office across every shot. Then I planned the coverage the way you would on a real shoot: a wide through the glass, singles, over-the-shoulders, and small inserts like the pen on the notepad, the file sliding across the table and the watch.
The dialogue is the story. It starts with ordinary questions like “Do you drive?” Then she lets slip “It was raining,” and by the end he’s pushing her to “Say it out loud once.”
My main focus was subtle acting. His face gives nothing away while her composure slowly cracks into tears. I also wanted a clean, cool grade with no grain and none of the yellow tint AI usually leaves behind, so it feels shot rather than generated.
I made the characters and frames in GPT Image and Nano Banana, animated them with Veo, voiced them with ElevenLabs, and cut everything together in the edit.
