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hi, just wanted to share that I just entered the challenge and I really want to connect the Dutch part from the description of the challenge right into this (as I am studying in Netherlands right now )
* question: how the FLORA credits were received? because I did not find a coupon on my automated email after entry (thanks)
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This is my 2nd Submission
Check my 1st submission at this link:
https://on.contra.com/CbjhLm
Inspired by: Manuel Osorio Manrique de Zúñiga, Francisco Goya, 1787–88, from The Met's open archive.
Link to Original Art: https://www.metmuseum.org/art/collection/search/436545
I liked this painting because of the boy at its center, Manuel, dressed in a striking red suit, holding a magpie on a string while three cats watch him from the shadows. Even as a child's portrait, it felt tense, like something was about to happen. It looked like a moment frozen right before a story unfolds.
What I made: I turned Manuel into a toy doll, kept his red suit, his pose, his face, everything the same, just changed what he is. In my video, a father buys the doll from a toy shop and gives it to his little daughter, and they walk out together. I chose a girl instead of a boy on purpose, it felt like giving Manuel a second life completely outside the world he was painted into, away from the cats, the cage, the tension, just a toy being loved.
How I made it: I downloaded the painting image from The Met's open archive, then imported it into FLORA, connected the picture to a text prompt node, then connected both the picture and text prompt node to the video node I also made an element Doll, and selected the Seedance 2.5 model with a 30 second clip. I kept the workflow as simple as possible.
Why I made this: I wanted to take Manuel out of the painting and out of the museum, and give him an actual childhood, even 230+ years later. I think his portrait still holds so much presence that it deserves to live on, just now as something a child can actually hold and love, not just look at.
Instagram post link:
https://www.instagram.com/p/Dc8SwEJMwP3/
Twitter(X) post link: https://x.com/AhmadSauleh/status/2096539462402466095?s=20
Awwwww so sweeet, ideaaa!!!
Hey wanted to share a few process screenshots inside Flora, for "L'empreinte" my submission for the Challenge.
If you want to check out the Video breakdown link is here!
The strongest idea here is that the object remembers us back. Turning a functional coffeepot into a record of touch gives the original piece a second life without losing its identity. The imprint becomes evidence of a relationship, not just wear.
TOTEM — FLORA Museum Challenge submission
The Challenge: take one real, public-domain object from The Metropolitan Museum of Art's collection and reimagine it into a new world, using FLORA.
The Story
In a world after collapse, a new civilization is born from the remnants of the old. But this is not a story of abandonment or forgetting. It is a story of transformation: how memory survives by changing form.
The film shows objects transforming into metal. The form remains the same — monumental, permanent, enduring. In this transformation lies the film's deepest meaning.
The Primary Artifact: Raven Rattle
The heart of TOTEM is a 19th-century rattle by the Xaadas (Haida) people, from Masset, Haida Gwaii. The Met describes it directly: "This raven rattle depicts a perched bird with wings outstretched toward its front — an unusual representation of the raven on a rattle, more typical of the way it would be depicted on a memorial (or totem) pole."
This wasn't simply a musical object. A rattle like this was carried by a chief during ceremonial dances as a mark of rank, spiritual power, ritual performance, and the transmission of knowledge. The rattle was an instrument of authority — a voice that commanded attention and carried meaning between generations.
What the Raven Symbolizes
For the Haida, Raven isn't just a myth character — it's one of the two clan divisions their entire society was built on: Raven and Eagle, inherited through the mother's line. To be Raven is to carry a specific role, a specific responsibility in the social order.
But Raven's significance reaches far beyond one people. Across the Pacific Northwest, Raven keeps reappearing in the same role: a creator and trickster figure, the one who changes the established order and brings a new world into being. Even in Norse mythology, Odin's ravens Huginn and Muninn represent Thought and Memory — the keepers of knowledge that fly across the world and return.
Almost everywhere it shows up, Raven carries the same charge: intelligence, transformation, the thing that adapts and endures.
Why Raven Leads This World
In TOTEM, these meanings converge. The raven becomes the central keeper of memory in a world that has lost its history. The rattle — an instrument of ceremony and rank — becomes a medallion with a single burning eye: the emblem of a civilization built not by forgetting the past, but by carrying it forward in a harder form.
The raven survives not by remaining unchanged, but by changing form. Wood becomes metal. A ceremonial object becomes an idol. A symbol of one tradition becomes the foundation of a new civilization.
These people have not abandoned their ancestors' knowledge. They have transformed it into something that will endure.
All six artifacts used in TOTEM
Primary artifact:
Rattle (Raven) — Xaadas (Haida), 19th century — wood, pebbles, polychrome
https://www.metmuseum.org/art/collection/search/501263
Supporting artifacts, used as visual texture to enrich the world:
Totem Pole Model — Tlingit, 1820–40 — wood
https://www.metmuseum.org/art/collection/search/319073
Totem Pole Model — Haida, 1875–85 — wood, pigment
https://www.metmuseum.org/art/collection/search/319081
Totem Pole Model — Charles Edenshaw, ca. 1890 — argillite
https://www.metmuseum.org/art/collection/search/319092
The full story of the totem poles — how they encode lineage, rank and memory, and what they become in TOTEM:
https://contra.com/community/S5brMMr9-totem-the-gate-bonus-piece
Ceremonial Board (Malu) — Sawos people, 19th century — wood
https://www.metmuseum.org/art/collection/search/311159
The full story of the ceremonial board — the threshold between the visible and the invisible:
https://contra.com/community/4VyUOTHR-totem-the-throne-bonus-piece
Grere'o (Shield) — Solomon Islands, early to mid-19th century — fiber, shell, nut paste
https://www.metmuseum.org/art/collection/search/310073
Four different original materials — wood, stone, shell, and fiber — all reforged into one material in TOTEM- metal.
What the Film Reveals
TOTEM shows that memory is not fragile — it is resilient. It survives not by being preserved untouched, but by being transformed. The objects that once held ceremonial meaning for one people become the symbols of power for another. The wisdom encoded in their forms — their balance, their proportions, their spiritual weight — is not lost. It is reborn in a new material, carrying the same essential truth.
A civilization that remembers is stronger than one that starts from nothing.
Silhouette preserved. Material is not.
🔊 Watch with sound. Half of this world lives in the audio — the film reads differently without it.
#floramuseumchallenge #flora #metmuseum #generativedesign