Let's draw your Science: I am a molecular and cell biologist with a PhD in Molecular, Cellular Biology and Genetics, and postdoctoral research experience at the University of Cambridge and Harvard University. My research on tRNA decoding and genetic code reassignment has been published in Nature, Nature Structural & Molecular Biology and Nucleic Acids Research
I draw by hand in graphite and coloured pencil, then digitise and recolour the artwork for print and screen. Because I have worked on these mechanisms myself, I can help you decide not only how to draw a figure, but what it needs to show.
What if a naturalist from the 19th century discovered the technology of tomorrow?
This creative project transforms futuristic technology into extraordinary mechanical species, combining antique botanical illustration, scientific engraving, and speculative design.
From mechanical dragonflies to botanical-inspired devices, each artwork explores the unexpected relationship between historical illustration and imagined future technology.
Creative direction: Art Direction · AI-Assisted Illustration · Visual Storytelling · Speculative Design
Tools: Recraft Studio
Historical inspiration: Public-domain botanical illustrations from The Metropolitan Museum of Art.
My Last AI Content — Closing One Chapter, Starting Another
After a long delay, I decided to wrap up my final AI content project by cutting it short and keeping the video focused on the finished work.
While working on other projects and beginning my journey with Blender and Unreal Engine, I realized I no longer wanted to keep putting this project on hold. Rather than prolonging production, I chose to finish it, share the result, and move forward.
This marks the end of my AI content creation chapter as I shift my focus toward developing my artistic skills, 3D modeling, animation, and filmmaking through more hands-on creative workflows.
Every experiment has taught me something valuable, and I'm taking those lessons into my next chapter.