Dark Fantasy Streetwear Design: High-Quality Editable PSD

Dark Fantasy Streetwear Design: High-Quality Editable PSDDark Fantasy Streetwear Design: High-Quality Editable PSD

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Turban Pierre

pro

• Apr 5

Streetwear Brand design in the Dark Fantasy style. High-quality visual optimized for printing. Fully editable .PSD source file. ✨

Visual Design Brand Design Graphic Design Adobe Creative Cloud Adobe Illustrator Adobe Photoshop

jay ramani

• Apr 2

Logo design

Akinkunmi Ayo

pro

• Apr 2

nice work

Keorattana Luangrathrajasombat

• Apr 2

Hey folks, nice to meet you all. I’m Keorattana, a designer based in Sydney, Australia.

This is my entry for the Vehicle HMI with Rive challenge.

Sprinta — a speculative Vehicle HMI concept for a futuristic racing system, centred around a cinematic HUD

This was my first time working in Rive. It was a bit of a learning curve, but a genuinely fun one. I learned a lot through the process and can already see how powerful it is for like playful game interfaces and sci-fi HUDs and HMIs.

The interface was designed in Adobe Illustrator, then brought into Rive to animate and prototype. I exported it as a PNG sequence and composited it into a driving scene I created in Blender, imagining how it might exist in motion within a larger world.

This is part of an ongoing exploration into racing interfaces, speculative systems and visual world-building.

This feels like the beginning of a larger system I want to keep building.

vehiclehmiwithrive Rive Animation 3D Design Game Design Adobe Illustrator Blender Rive

Andreas Manthey

• Apr 2

This is wild! So unique style. I love it 😍 Great work!

Romario Dudok van Heel

• Apr 1

This one started with a conversation about sound. About how certain periods just felt different. You can hear it instantly, not because it’s perfect, but because it has character. Today, you can make anything sound clean. But that doesn’t automatically give it feeling.

That’s the balance Next Movement is chasing.

A lot of their inspiration comes from specific moments in time: studios, gear, records that shaped how things used to sound.

To mirror that, I looked at design from those same eras. Not to copy it, but to understand its logic, the restraint, the structure, the intent behind it. From there, I combined it with a more contemporary approach. Something that feels precise and current, but still carries that sense of weight.

This is a short glimpse into that direction.