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Movement is a science; identity is the bridge.
For WOD, I didn't just build a visual system i engineered a high-performance language for the modern pioneer.
From the precision of the typography to the momentum within the grid, every element is designed to scale across the physical and digital landscape.
Case study coming soon 🔥🔥🔥
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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curious where this lands
Earlier this year, I redesigned Orbital Catering. (One of the leading catering companies in Manhattan).
Their clients are some very well known enterprise companies, and they came to me because they looked like it was still 2010 and like a designer had never touched their website...
I gave them new positioning, a new website, and a rebrand that reflected their scale and, MOST IMPORTANTLY, made the company stand out in their space
Most catering websites I looked at during the project looked almost indistinguishable from each other, with no real design language and just boring (which definitely isn’t a sign of being enterprise-level).
2 months after launch, they hit RECORD sales and improved every meaningful metric (bookings, direct orders, time on page, scroll depth)
This is one of my most successful client cases this year, and I can confidently say that design made the difference and took them to the next level.
The whole journey and the results were measured.
I’m incredibly proud of this case because it shows, in a very concrete way, how much the right design matters for a serious business ❤️
+1 case study in the bag 😁
Good work🔥👏👏
I created this cinematic dragon battle as a high-end AI filmmaking experiment focused on realistic action, scale, character movement, and cinematic storytelling.
The goal was to make the dragons feel physically real rather than like game characters, while keeping the dragon rider fully integrated into the action—reacting to acceleration, controlling the dragon, fighting against the wind, and staying physically connected to every movement.
I focused on realistic aerial combat, dramatic lighting, believable fire and destruction, dynamic camera work, and a dark medieval fantasy atmosphere to create the feeling of a scene from a major feature film.
Created with AI video generation + cinematic direction, prompt engineering, action choreography, and visual storytelling.
that's fantastic!