I don’t touch the timeline the first time I watch a film. No markers. No notes about sounds. No f...I don’t touch the timeline the first time I watch a film. No markers. No notes about sounds. No f...
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I don’t touch the timeline the first time I watch a film.
No markers. No notes about sounds. No fixing things in my head.
I just watch it as an audience member and ask one question: Where did I feel something — and where didn’t I?
Only after that do I start designing sound.
That first watch decides more than any technical choice later.
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