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5 Sound desigh that make your video viral!!!
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Effect: Bar reveal.
Starting footage: a latte art pour clip from a free-licence stock site (pexels.com). I asked the invideo timeline agent to build a bar reveal with 8 espresso-brown bars that slide away to uncover the pour, then asked for two cream bars like milk streaks, and then a reveal that finishes by 1.5 seconds with a slow push-in. I refined the zoom and position myself in the Inspector. invideo Editor is free to try.
@invideo.io @invideo.creators #invideoeditor #invideocontrachallenge
Here's my first submission for The invideo Editor Challenge.
Three effects. One fast-paced, cinematic racing edit.
🏁 Rectangle Reveal: A small rectangle expands to reveal full-color racing footage from a black-and-white frame.
🎨 Black & White to Color: A dramatic monochrome-to-color transformation that brings the racing action to life.
🏎️ Helmet Silhouette: Racing footage plays inside a driver's helmet silhouette, creating a cinematic double-exposure effect.
⚡ Plus, fast-paced cuts, matching-location transitions, and sound design to bring everything together.
The coolest part? I started with just a creative brief. InVideo Agent helped generate the storyboard, visuals, video clips, and sound effects, then assembled the edit directly on the timeline. I could review the assets, guide the creative direction, and ask the agent to make changes. Less manual editing. More time to focus on the creative idea.
TITLE
SPECTRE: Light-Driven Living Outlines
PRIMARY EFFECT
Bring your own effect: a custom shader that reads per-frame luminance and edge gradients and redraws the subject as glowing, chromatic living outlines, layered with alpha-matte echoes and shape-layer accents
PROCESS NOTE
Starting footage: AI-generated character footage I made from my own plan, imported into invideo Editor. The import is shown in the video.
What I asked the agent: I described the SPECTRE look in chat: outlines drawn from the light in every frame, chromatic fringing, echo trails and beat-synced impact flashes. The agent wrote the custom shader, built the alpha-matte and shape layers, applied the effect to my clips and gave me controls.
What I refined: I directed every change in chat. I asked for stronger impact hits, a cleaner outline, a side-by-side original vs SPECTRE comparison, rounded screen-recording cards with zooms and pans, and a raw-to-SPECTRE slider that ends on the invideo logo. The agent re-tuned its controls each time. The editable timeline is linked.
Music and sound design: both AI-generated. The agent designed the sound, including transitions, hits and ducking under the voiceover.
Tools outside invideo: screen recording and voiceover capture only.
invideo Editor is free to try.