I started thinking about this template after noticing that there were not many Framer templates m...I started thinking about this template after noticing that there were not many Framer templates m...
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I started thinking about this template after noticing that there were not many Framer templates made specifically for podcast hosts, especially ones that treated the host as a personal brand.
So I decided to explore that idea.
With Sherry, I moved away from the quieter visual style I often use and tried something much bolder. I played with strong editorial type, script details, warm pink and yellow, and layouts that feel expressive.
It includes a complete podcast CMS, individual episode pages, resources, speaking and booking sections, newsletter signup, and a bonus sales page.
For designers and developers, everything is ready to customize and hand off to a podcast host, speaker, or personal brand client.
I had a lot of fun exploring a different visual direction with this one!
Part of why I enjoy creating templates like this is that I’d love to see Framer gain more recognition across the wider business world, not just within tech and design.
In my INKFLESH identity work, the wordmark runs off the can's curve and gets partly hidden behind artwork on posters. That crop asks the rest of the identity to carry more recognition. The mark has a job when the name is only partly there.
Same flower house, same layout. We only took the color out.
1. Full color. The iridescent petals do the selling: lilac, pink, a little shimmer. The photo is the brand, and every accent on the page borrows from it.
2. Monochrome. No color at all. Shape, texture and typography have to carry everything, and the page suddenly reads like a gallery catalogue.
Color sells the flower. Monochrome sells the exhibition.
The problem with monochrome is that, throughout computer history, it has conditioned users to associate gray and monochrome with being disabled, dysfunctional, or something to ignore and avoid.