AURA is a high-end interactive landing page concept built around the Koenigsegg Agera RS. It transforms a traditional website into a cinematic digital showroom using real-time 3D and refined motion systems.
Features include a live 3D configurator with dynamic pricing, environment switching, camera transitions, animated performance stats, and premium micro-interactions designed to feel tactile and responsive.
Built with Three.js and GSAP, the project demonstrates how modern web technology can elevate storytelling for luxury and high-value brands.
What should a creative agency website actually feel like?
For Orvika, we didn't want another agency site built around the same safe layouts and predictable sections.
We pushed the visual direction further with oversized typography, editorial layouts, bold imagery, and stronger contrast, while keeping the experience structured enough to communicate the agency's work and capabilities clearly.
The goal wasn't just to make it look different.
It was to make the agency feel different.
Designed in Figma and built in Framer.
We're sharing more of the websites and digital experiences we've been working on here over the next few weeks.
What if customers could explore your product before asking about it?
FOLD is an original interactive camera concept by Launch in Seven. Turn it in 3D, try three finishes, unfold the lens, then frame a miniature sculpture garden and save your own postcard.
I built the camera, the scene and the working capture flow together. The images here come from the live prototype.
We can build a focused interactive launch page or product configurator around your idea. Message me with the product and the interaction you want visitors to try.
Fictional product study, not a client commission or physical camera for sale.
Most furniture websites try to help you buy faster. This concept for SÖDER ATELIER explores a different idea:
What if the experience helped you choose better?
The design is built around the values shown throughout the concept craftsmanship, natural materials, longevity, repairability, and thoughtful living. So instead of treating the homepage like a catalogue, the experience gives space to:
→ The story behind the pieces
→ Curated collections
→ Craft and material details
→ Long-term value
→ Customer perspectives
→ Clear product discovery
The visual language stays quiet and editorial, letting the furniture carry the attention. Because when a product is made to live with for years, the website shouldn't make it feel disposable.
The homepage sells longevity, and Signatures of the house still gives you category chips to browse by. Curious whether the product page carries the craft and repairability fields too.