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The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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One of our clients needed 70 ad video variants in a week, so we built an AI agent to do it in seven hours.
The build itself was a project. It required:
- Assembling a Claude agent connected to Remotion
- Building a knowledge base of the client's brand: brand guide, movement language, hook creation guidelines, past deliverables, briefing structure
- Teaching the agent to read the brief the way our team would
- Composing hook variants adapted for each aspect ratio (1x1, 9x16, 16x9)
- Assembling endcards and outputting files named and organized for QA
The first batch still needed heavy manual editing. The second, the agent assembled alone.
The third came out fully stitched (hook, body, CTA, disclaimer) needing only a review pass before shipping.
Each iteration meant testing what the agent got wrong, adjusting the skills, refining the knowledge base, and rerunning until the output matched the standard our team would ship.
When we sent the batch, the client feedback was: "The revised videos look great. We'll start using them immediately."
To show what this workflow can do, the video in this post was produced by this exact system.
If your business needs to ship ads at this volume, let's talk 👉 apta.agency/contact
70 ad variants in seven hours is wild. remotion?
The worst mistake you can make in character animation is not moving it enough.
The second worst mistake is moving it for no reason.
Stop wiggling it around just so there's movement. Living creatures move for a reason. They shift their weight. They blink. They breathe. They get bored.
Look at this crowd of slimes I made in Rive. They're identical (literally the same Component), but by randomizing their idle movements through the State Machine, they naturally fall out-of-sync with each other.
They feel more like a crowd of unique individuals, not copy-pasted digital assets.
Having a character's eyes follow your cursor is fun. But it's easy to make the mistake of following the cursor F O R E V E R. Real creatures get distracted. They lose interest.
Those tiny acting moments and details are what make a character feel alive!
Full case study in my profile. Follow for more!