The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
Because luxury shouldn't scream AI. It should feel like a brand.
AI can generate a beautiful product image in seconds. But turning that image into an advertisement that communicates luxury? That's where design decisions matter.
Here's my latest luxury perfume advertising poster, created as a self-initiated graphic design project.
For this concept, I wanted the perfume bottle to be the main character.
So I experimented with:
Purple and pink tones to create a luxurious, feminine mood.
Lighting and reflections to give the perfume bottle a premium look.
Bold typography to add personality without distracting from the product.
Composition and visual hierarchy to make sure the viewer's attention goes exactly where it should.
I used AI-assisted visuals and Canva to bring the idea together.
My approach to graphic design has always been simple: A design shouldn't just look beautiful. It should communicate what the brand wants its customers to feel.
That's the kind of thinking I bring to product advertising, social media posters, and brand campaign creatives.
If you're a beauty, skincare, perfume, or D2C brand looking for product visuals that showcase your product and communicate its value, I'd love to connect.
What do you think? Does the final poster give you that luxury perfume campaign feeling?
#GraphicDesign #ProductAdvertising #PerfumeAdvertising #LuxuryBranding #BeautyBranding #SocialMediaDesign #CanvaDesign #CreativeAdvertising #D2CBrands #BrandStorytelling
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
Exploring two different hero directions for a new project.
Same message, two completely different visual approaches.
Which one makes a stronger first impression?
A or B? Curious to hear your thoughts!
36 voted
90%
4 voted
10%
40 votes
Closed
Both are strong. I lean towards the dark version, because the orange accent on the italic "guess." pops and the profile portrait gives it a more editorial, confident feel. The navy one reads a bit more corporate, which could suit a more conservative audience. Nice exploration!
Two directions. One NFT marketplace.
Which visual direction would you choose?
🖤 A — Dark & Futuristic
🤍 B — Bright & Minimal
Both explore the future of Web3, but with completely different visual identities.
Drop your vote in the comments: A or B?
#UIUXDesign #WebDesign #NFT #Web3 #ProductDesign
10 voted
29%
25 voted
71%
35 votes
Closed
Strong design, well done
Slow Light & Soft Tide: two styles about light
I built two custom Recraft V4 Styles from public-domain works in museum and archive collections. Both are about light: one splits it through a lattice, the other lets it settle on still water.
1. SLOW LIGHT (Recraft style name: Gitterglitch)
What if the buildings where we wait were wrapped in a lattice that turns sunlight into colour?
References: Koloman Moser's Plant Stand (1904) at the Saint Louis Art Museum, and Michel Eugène Chevreul's colour plate of the solar spectrum (1864) at the Science History Institute.
From Moser I took the square lattice of perforated metal, the Gitterwerk of the Wiener Werkstätte; from Chevreul, the soft spectrum from red to violet. Together they turn sunlight into bands of colour across bus shelters, waiting rooms, libraries and underpasses, then become the posters, illustrations and logos of an imaginary city that runs on light.
2. SOFT TIDE
What if still water could remember everything that ever passed above it?
References: Claude Monet's Water Lilies (1906) at the Art Institute of Chicago, and a Peach Blow vase by Hobbs, Brockunier & Co. (after 1886) at the Walters Art Museum.
From Monet I took the hazy blue water and the reflections breaking apart in the ripples; from the vase, the glossy glass that fades from rose to milky white. A Ferris wheel, a lighthouse, a bridge and a full moon leave pink reflections on periwinkle water, and pale creatures drift through them, shown as a poster series and as photographs.
Two archives, one material: light, split by a lattice and softened by water.
