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🚀 Just built a Jungle Tiger Puzzle Game with Easy Lens AI! 🐅🧩
I created this interactive 4×4 drag-and-drop puzzle game using Snap's Easy Lens AI, showcasing how quickly you can turn an idea into a fun AR experience.
✨ Features:
• 🐅 Vibrant AI-generated jungle tiger artwork
• 🧩 Smooth drag-and-drop puzzle gameplay
• 📱 Mobile-friendly interactive experience
• ⚡ Rapidly built with Easy Lens AI
I'm constantly experimenting with Easy Lens to create games, AI transformations, face effects, and other engaging AR experiences.
If you're interested in building AR experiences with AI, join the Easy Lens community on Contra and start creating:
I'd love to see what you build—feel free to connect and share your creations!
#Contra #EasyLens #SnapAR #LensStudio #AugmentedReality #AR #GameDevelopment #AICreator #InteractiveDesign #CreativeCoding #Snapchat #BuildInPublic
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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🔔 The bell is about to strike thirteen, and you are the only one who remembers your brother.
Play free in the browser: https://halloween-rive.vercel.app (desktop, keyboard)
The Thirteenth Bell is a stealth puzzle adventure set on Halloween night, 1988. You have a torch, a town full of riddles, and until midnight. The torch shows what is missing, and it gives you away. The rest is yours to find out.
Why I made it: I grew up on the Amiga with adventure games like The Secret of Monkey Island, and my high-school years were the late 80s and early 90s. The game is full of that time: a Casio watch counting down to midnight, nods to E.T. and Jaws on the walls, VHS tapes and a video store, and a synth score in the spirit of Vangelis and the original Blade Runner.
Features used: both the Rive CLI and GPU Canvas.
• Rive CLI: the whole game is one .riv file, generated as RML with a coding agent: nine places, their rigs, state machines and data binding, with Luau scripting for all the game logic.
• GPU Canvas: ten WGSL shaders: the torch beam and its shadows, the night sky, light in the water, the moon burning through stained glass, falling glass, wind-blown leaves.
• Human touch: Rive rigs (bones, IK, meshes) whose motion was directed over some forty rounds of playtesting and tuned in a tool built for this game: a Tuning Lab with dials for legs, hands and body on the live Rive preview. The look began with eighties moodboards and was art-directed and corrected element by element.
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ONE MORE SCROLL: every everyday object in Colombo is a portal… and the loop never ends.
Primary effect: Bring your own effect – Portal Zoom (custom GLSL transition, agent-built, no rotoscoping, no tracking)
THE IDEA
"POV: you can't stop scrolling." Kavin is scrolling on a bench at Galle Face at sunset. We dive into his phone's camera lens and fall through a whole Colombo day. Every scene ends by diving through an everyday opening: the hole of an ulundu vadai in Pettah, a tuk-tuk's round mirror, Tharu's gold bangle held up like a telescope, a freshly cut king coconut, the full moon over Mount Lavinia.
Then the twist: Tharu, alone at a bus stop at midnight, is watching Kavin on HER phone. We dive into her screen, land back on the bench, he looks at us and smiles: "…one more scroll?" And it loops forever.
I checked the #invideocontrachallenge feed first. Portal entries exist, but they're mostly one-off world swaps, and almost nothing has a regional identity. So: a full infinite loop, Sri Lankan objects as the portals, and a story twist that makes the loop mean something.
THE EFFECT: PORTAL ZOOM
One agent-written shader transition, used on all 8 cuts. Instead of tracking the object, every cut gets its own portal centre and size as controls.
The outgoing shot dollies into the opening with a radial zoom blur
The next shot appears INSIDE the opening (a circle or rounded-rectangle matte), already moving
The opening and the new shot grow together until the new shot fills the frame, with a warm rim light on the edge It feels like one continuous camera move through 8 worlds.
HOW I WORKED (Claude + the invideo MCP)
I directed the whole build from Claude, connected to my invideo project through invideo's MCP server. Every image, clip, sound, effect and edit was made inside invideo; nothing was finished in another editor.
Plan first: Claude read the challenge rules, the submissions feed and my reference (an object-zoom reel), wrote the story and an 8-scene plan (time, location, action, exit portal, camera, SFX), and asked me everything at once. Nothing was generated until I approved.
Nano Banana Pro: character sheets for Kavin, Tharu and Uncle Siri, so they stay consistent across shots.
Kling V3 Omni (ingredients, 1080p, 9:16): 8 shots. Every prompt ends with "the camera pushes into the [opening], which stays centred and fills the frame", so each shot hands off to the next.
ElevenLabs: a 120 BPM tropical-pop / baila-guitar instrumental (first beat at 0.0 s, so every cut lands on a bar) plus 12 SFX: a whoosh on every portal, vadai sizzle, tuk-tuk, kites and gulls, coconut chop + slurp, night crickets, bus stop, phone scroll, notification ping.
The agent wrote Portal Zoom straight into the invideo timeline as a custom transition with exposed controls, then we tuned it cut by cut.
WHAT THE AGENT BUILT
Portal Zoom controls: portal centre (x/y), start radius, portal shape (circle / rounded rectangle), rect width/height, corner roundness, edge feather, rim light, rim colour, zoom follow, zoom blur, open-up at end, portal reveal.
WHAT I REFINED
v1 put the portal at his feet instead of his head (the y-axis was flipped). Rebuilt so the portal centre is in screen space (0,0 = top-left).
v1 showed a black ring around the next shot: the incoming frame was smaller than the opening. Rebuilt so the incoming shot is sized to exactly fill the opening, and swapped "incoming start scale" for a new "open-up at end" control.
Tuned every cut from captured frames: lens (0.30, 0.30) r 0.045; vadai hole r 0.025; tuk-tuk mirror r 0.19; bangle r 0.14 (and moved that cut 1.4 s earlier so the ring is still a ring, not the whole frame); coconut r 0.07; moon r 0.13; phone screen as a rounded rectangle (w/h 0.55, roundness 0.12, open-up 2.6 → 1.8).
Rim colour matched to each object: warm on the lens, oil-orange on the vadai, silver on the mirror, gold on the bangle, cool white on the moon, screen blue on the phone.
Cropped the Pettah shot (zoom 1.14, y −120) to hide an AI-gibberish sign, then moved that portal's centre 0.52 → 0.458 to stay inside the hole.
Regenerated the bangle shot: the first take had the studio wall from the reference sheet behind Tharu.
BY THE NUMBERS
48.6 s · 9:16 · 1080p · 8 scenes · 8 portal cuts · 1 custom shader · 3 reference sheets · 8 AI clips · 12 SFX · every frame generated and edited in invideo
@invideo.io @invideo.creators #invideocontrachallenge #invideoeditor
invideo Editor is free to try.