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I found out about the Contra × @Renoise Challenge when it was almost over, so I had very limited time, but still wanted to jump in and test Renoise.
I usually create videos by combining many different AI tools, so exploring a node-based workflow in Renoise felt genuinely fresh and exciting. The final video has plenty of imperfections, because it was made fast and experimentally, so don’t judge it too harshly :)
The story is basically about how I feel (spoiler - I feel surrrealistic😆) in my own neighborhood: I live in one of Kyiv’s more rough-edged districts, but its uncanny, marginal, almost chthonic beauty has completely captured me.
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My video for the Contra × Renoise Challenge.
With this story, I wanted to express what lives inside each of us—an entire world filled with its own battles, struggles, and emotions that no one else can truly see.
Through this project, I shared a small piece of my own soul.
What kind of storm lives inside you?
#RenoiseChallenge
This is absolutely stunning!🖤 It really makes you pause and reflect on your own inner storms🤔 Good luck with the challenge! 🚀
AFTERLIFE is a 26.9-second cinematic dystopian short imagining a future where the Afterlife has become a commercial service. People willingly queue for the promise of eternal reunion, never realizing that the same perfect family memories sold to them are used to keep an endless industrial workforce obedient.
Every image and video clip was created in Renoise Canvas using a reference-driven workflow with AI image generation, FacePass, and AI video generation, then edited into a single cinematic short with original sound design.
LinkedIn: https://www.linkedin.com/posts/jelenastricak_renoisechallenge-activity-7476121170233262080-55br?utm_source=share&utm_medium=member_desktop&rcm=ACoAACmlhzEBkf_rFZaNY8RuL4ZabiQvNBMNVBw
X: https://x.com/jstricak/status/2070355752372388079?s=20
wow that's quite a plot twist!
"We think we're leaving. We're always heading home."
The dust behind a motorcycle on a dirt road is the same dust that drifts across Mars and maybe the same dust we're all made of.
I've never edited a video in my life. I build software for a living. But I found Renoise, saw this challenge, and as someone who can't resist one, I treated it the only way I knew how: as a problem to solve, shot by shot. 17 scenes, one storyboard, a lot of trial and error from a cornfield on Earth to the red plains of Mars.
I didn't know how to make a film. So I just kept asking: what does this feel like? And chased that frame by frame.
🔊 Sound on, and stay until the end it goes somewhere you won't expect. Check the comments for the BTS and the workflow :)
Preciso admitir que no meu nível de inglês, tô com dificuldade de entender acelerado em 2x.
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