3D lettering is a central part of my practice, where typography moves beyond flat surfaces into depth, volume, and space. By treating letterforms as objects, I explore how light, material, and perspective shape meaning and emotion.
Through both static compositions and animated pieces, I use 3D lettering to create expressive visual statements that combine design precision with experimentation. It allows me to translate ideas into tangible forms that feel dynamic, immersive, and visually distinctive.
Don’t know about you, but I love autumn. The crispness in the air, leaves changing colour, and things feeling a little more cosy.
Here’s a lettering piece I worked on capturing that autumnal feeling. Of course I couldn’t miss an opportunity to put a pun in there! 🍂
A speculative ad creative suite I built for St. Agni as a portfolio piece, exploring how the brand's "intellectual chic" philosophy translates into paid social without collapsing into the loud, trend-driven visual language of fast fashion.
The bundle leans on architectural minimalism: warm neutral textures — raw linen, polished concrete — generous negative space, restrained typography. The garment carries the frame; nothing competes with it.
The motion asset uses hyper-realistic AI fashion avatars to present the capsule in natural movement — a workflow that lets the concept explore silhouette and fabric behaviour without a physical shoot. Static assets focus on tailored lines and fluid drape in still frames.
Two vertical static ads and one motion asset, sized for Stories and vertical feed.