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William Henry Brown — Silhouette of a Young Man Before an Open Window, facing Right (before 1860), Metropolitan Museum of Art, (Object No. 1984.1101.2.)
Used @FLORA to reinterpret the work as a museum installation, introducing a broken physical frame intervention,.. an antique suspended light source,.. and a spatial extension of the figure’s shadow while maintaining the original artwork as the visual foundation.
On the left-hand side we have the Original image from The Metropolitan Museum of Art,.. and on the right we have FLORA's Reinterpretation of the thing I changed.
What are your thoughts frens? 🙂↕️
Here is a glimpse of the Workflow which was filled with a lot of trials, that I had to explore other FLORA tabs like the *Create Tab*.
I used the GPT Image-2 to first design the idea behind that image, then added it to My Assets, which was then used as the 3rd reference to the...
Adding the original Met reference for completeness:
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For the #FLORAMuseumChallenge, I chose the 19th-century Lover’s Eye Bracelet, an intimate object featuring a miniature of a loved one’s eye. Pieces like these were worn close to the body so the wearer could imagine their beloved’s gaze resting upon them 👁️
That idea became my creative starting point: what if the gaze that we see in art could be returned?
So I imagined a woman walking through present-day New York wearing the bracelet. As we get closer to the miniature, we find "Ivy" actually looking out from her own time. The person preserved inside the object is suddenly looking back at us, creating a fleeting exchange between past and present.
The engraved name “Ivy” on the back of the actual bracelet became a small but meaningful detail that helped me imagine the story behind the object.
And so I wanted to create something that felt like a visual poem 💛
A gaze captured centuries ago, finding its way back to another pair of eyes.
wow. Love the idea!!
A painting that survived on the one wall still standing, after the house around it was destroyed. The storm it once depicted became real smoke, rising from the same horizon behind it — same place, same hills, same water, but the calm is gone.
I didn't age the painting forward or backward in time. I placed it somewhere that exists in parallel to where most of us are sitting right now — a place where this kind of stillness has been replaced by something else entirely.
Original piece: "Approaching Thunder Storm" by Martin Johnson Heade, 1859, oil on canvas — The Metropolitan Museum of Art (Open Access)
Link: The Inspiration Piece from the Met Museum
Built on FLORA, starting from a static image of the painting, then building the surrounding wall and environment through iterative generation and manual refinement, before animating the final camera move outward.
My submission for the FLORA × The Met Challenge.
This deserves more than just liking, this deserves to be featured! 🏆 Nailing that surreal narrative contrast behind the painting creates such a compelling submission.
"The Seated Giant" is one of Goya's dark prints. Goya’s dark period represents sadness, terror, pessimism, and loneliness.
While I tried to capture that, I also added a touch of hope, showing that hope still exists inside the giant.
I created an interactive hologram room at the museum where visitors try to interact with the giant, though he is reluctant and only interacts occasionally.
i love this concept!