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Nal Nani is a stylized character created as an AI avatar for a kiosk experience.
For this music video-style piece, I handled the full creative and production pipeline, from concept, storyboard, rigging, animation, and layout to lighting, compositing, and final editing. The goal was to give Nal Nani a stronger character identity beyond the kiosk interface, making the avatar feel more expressive, playful, and memorable.
I focused on bringing the character’s personality to life through posing, timing, camera movement, stylized motion, lighting, and edit rhythm.
The network for creativity
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Connect with clients, get discovered, and run your business 100% commission-free
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Just launched a recent brand identity project that I successfully completed for CTRL+SHIFT.
Ctrl+Shift is a brand identity project crafted for a forward-thinking platform operating at the intersection of creative technology, culture, and media. Through events, talks, content, and community, the brand brings together artists, builders, and technologists to explore creative intelligence, generative storytelling, and coding as cultural expression.
Editorial and confident, the identity is unapologetically creative-first—slightly irreverent, opinionated, and culture-forward. Designed to feel like a living platform rather than a campaign, the visual language leverages glyph dithering, color halftones, 3D ASCII graphics, and surreal soft sci-fi imagery. Anchored by a pitch-black foundation with vibrant color tints as accents, the system creates a bold yet sophisticated presence for a community built around curiosity, craft, and future-facing creativity.
You can see full project presentation here.
Feel free to like, comment and follow, kindly appreciated.
This identity for CTRL+SHIFT is a masterclass in high-end positioning. Using 3D ASCII and glyph dithering creates that "editorial and confident" feel that moves far beyond basic decoration.
It’s a perfect example of using strategic clarity to build a living platform rather than...
I've been working on a 3D render of Mac Miller's iconic mirror used in the album artwork for "The Divine Feminine". I wanted to challenge myself to make close up renders in Blender to accompany a different camera angle that I'm deciding to animate. I'm torn because I LOVE the depth of field on the flowers, but I wonder if it might be too much. What are your thoughts?
36 voted
82%
8 voted
18%
44 votes
Closed
Tons of flowers looks great!
Very excited to enter Runway Big Pitch Contest for a chance to win $50k
The goal was to make a trailer for a show that does not yet exist using Runway's AI tools. I really thought of a show that I would watch myself or share with others that is not just another futuristic sci-fi.
UNMASKED is what I came up with. This is a documentary interview series that gives a platform to former mascots, as actual living creatures, as well as the performers and characters behind some of the most visible but least considered jobs in sports and entertainment. This show is supposed to be serious, but also sort of like a parody with a bit of irony here and there due to how ridiculous some of these stories can get.
Each episode would sit one subject down in an interview room and ask them what they witnessed. The format is intentional and stripped back.
One room. One subject. One camera. New character every episode.
I really enjoyed working on this trailer. From brainstorming, script writing, character sketching, locking in room setting to a full storyboard, generating, editing, color grading, and human voice overs.
All of that to present this 1 minute 40 second trailer.
All AI generated.
Would you watch it? 🚀
Let me know what you think
AI Video ProductionScriptwritingVideo Post-ProductionCapCutRunwayrunwaychallengerunwaybigpitchcontest
Great Job!
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